America
Rachel Halliburton
Despair hangs like mildew over the small iron-ore mining town of Duluth, Minnesota, where dreams go to die, and the living haunt the clapped-out buildings like lost souls. This poignant collaboration between playwright Conor McPherson and Bob Dylan – himself born in Duluth in 1941, seven years after this play begins – takes us into a community in which music provides a rare release for individuals scavenging for reasons to stay alive. It was something of a surprise for McPherson to be approached by Dylan to create a theatrical vehicle for his music; when asked why he thought he had been Read more ...
Matt Wolf
Who knew? This West End premiere of the 2007 Broadway entry from the legendary songwriting team of John Kander and Fred Ebb (Chicago, Cabaret) secured a prime holiday-season slot at the last minute when this playhouse's previous entry, The Man in the White Suit, closed prematurely. And the happy if unexpected news is that Paul Foster’s touring production – Wyndham's, unusually, is another stop on the road – is a pure delight. Curtains may not be the subtlest or most nuanced musical you’ll ever see, but it’s without a doubt one of this year’s most thoroughly Read more ...
Matt Wolf
If good intentions were everything, Teenage Dick would be the play of the year. As it is, this British premiere at the Donmar of an Off Broadway entry from summer 2018 grants centre-stage, and not before time, to two disabled actors, one of whom – the mesmerically fearless Daniel Monks – plays the Shakespeare-inspired figure of the title. But viewed purely in terms of text, author Mike Lew's nod towards the Bard's most charismatically demonic anti-hero feels some way still from finished and is so busy changing gears that even Michael Longhurst, the director, has to struggle to make Read more ...
Tom Birchenough
Jackie Sibblies Drury’s Fairview comes to the Young Vic with the 2019 Pulitzer Prize for Drama under its belt, and a reputation for putting audiences on their mettle through a build-up of theatrical surprises that culminate in a denouement about which the playwright has urged all who have seen the play to keep silent. It certainly delivers a final act that places viewers in a theatrical position that they have probably never experienced before, one that will prompt reflection long after the impassioned note on which the play's frenetic 90 minutes conclude.The result is ingenious in every way Read more ...
Tom Baily
Blue periods can lead to golden streaks. Such is almost the case with Honey Boy, which Shia LaBeouf wrote during a court-ordered stay in a rehab clinic for the treatment of PTSD symptoms. Based on LaBeouf’s upbringing and childhood acting years, the film focuses on the troubled relationship between Otis (Noah Jupe) and his dad James (Shia LaBeouf), switching occasionally to a young adult Otis (Lucas Hedges) undergoing rehabilitation.Director Alma Har’el turns LaBeouf’s script into an aesthetic vision of L.A. neorealism with a dab of the surreal. The main ingredients in the broth are dialogue Read more ...
graham.rickson
Moonrise Kingdom is stuffed with director Wes Anderson’s familiar tropes. Elaborate sets, artfully designed props and Bill Murray all feature, the usual eccentricities tempered by genuine affection for the film’s young heroes. Anderson’s eighth feature film, released in 2012, is about many things: youthful love, isolated rural life and family dysfunction among them. Bob Balaban’s twinkly Narrator, sporting typically Andersonian attire, sets the scene: we’re on the New England island of New Penzance in 1965, three days before a devastating storm is due to hit.Twelve-year-old Sam Shakusky (a Read more ...
Jessica Payn
Elizabeth Strout is fond of plain titles. Much as her stories are interested in subtlety – the quiet complications and contradictions of ordinary life – her books advertise themselves by means of telling understatements. Olive, Again follows ten years on the heels of her Pulitzer Prize-winning “novel in stories” Olive Kitteridge, which painted a resonant, emotionally complex portrait of a community in fictional Crosby, a small coastal town in Strout’s native Maine. Via 13 interlinking short stories, Strout refracts glimpses of her eponymous character Olive, a retired maths Read more ...
Matt Wolf
Of all the groups you probably wouldn’t want to be part of, surely the hyper-adrenalised, hardscrabble populace of The Wolf of Wall Street, the Jordan Belfort memoir made into an amphetamine rush of a film by Martin Scorsese, must rank near the very top. And yet here, against expectation, is an immersive theatre adaptation of the non-fiction memoirs that spawned the 2013 movie. What’s more, it is being staged in a capacious address located a coke-fuelled trot away from London’s City equivalent of the do-or-die New York milieu from which Belfort has since emerged post-imprisonment as some Read more ...
Matt Wolf
Nostalgia for things that probably never were is an animating theme in politics these days. Much the same feeling displaced to the realm of showbiz, lends a vaguely dampening air to White Christmas, this latest stage retread of the 1954 Bing Crosby-Danny Kaye film that its beloved more for its songs, really, than for any inherent durability.The Dominion hosted a colourless iteration of this very title five years ago, with Aled Jones and Tom Chambers in the bromance-heavy central roles. The current upgrade of the material benefits from an altogether more appealing cast, headed by Danny Read more ...
Adam Sweeting
The first series of The Sinner in 2017 starred Jessica Biel as a disturbed woman who seemingly inexplicably stabbed a man to death on a beach, then could remember nothing about the crime. This second season on BBC Four finds Biel on board as executive producer, but this time the story is of a young boy who seemingly inexplicably poisons a couple, and admits to doing it.The common thread is detective Harry Ambrose, who’s called in to help out on the new case by Heather Novack (Natalie Paul), the daughter of Harry’s old police buddy Jack Novack (Tracy Letts). Last time around we saw Harry Read more ...
Marina Vaizey
Some two million Americans are currently in prison in America. A disproportionate number are black and nearly 200,000 are estimated to be innocent. John Grisham’s quietly horrifying new novel is a damning indictment of the inequities and corruption of the American legal system, which is shown to be not only corrupt but also profoundly inefficient and adept at making victims of those it incarcerates.Over two decades before the story begins, in the small Florida town of Seabrook, a young white lawyer named Keith Russo was shot dead while working alone at his desk late into the night. There were Read more ...
Jasper Rees
Ken Burns is the closest American television has to David Attenborough. They may swim in different seas, but they both have an old-school commitment to an ethos that will be missed when it’s gone – the idea that television is a place to communicate information with a sober sense of wonder. Burns’s field is American history in all its breadth and depth. Last time round it was a lapidary decalogue of documentaries about the Vietnam War. That had such an impact that, for his latest, BBC Four have promoted his name to the title to create a forgivable misnomer: Country Music by Ken Burns.The Read more ...