America
David Nice
Most dystopian satires are located in a nightmarish future, but their scripts build on the worst of our world today. Adam McKay's Don’t Look Up is different: this is now, and the notion of a comet hurtling towards the assured destruction of planet Earth is the hub for a heaping-up and jamming-together of how media and government respond to the worst imaginable crisis.Clever, often brilliant, luxuriously but pointedly cast, sprawling – I was never bored but I understand the plea for the shedding of 20 or so minutes – and stylishly filmed. Don’t Look Up doesn’t disappoint in its bid to say many Read more ...
Matt Wolf
A small film that packs a significant wallop, The Humans snuck into view at the very end of 2021 to cast a despairing shadow that extends well beyond the Thanksgiving day during which it takes place. Adapted from the much-traveled Tony-winning play of the same name, writer-director Stephen Karam's screen iteration of his own one-act seems even bleaker in this iteration than it did in my twofold experience of it on stage (including at the Hampstead, with its original New York cast, in autumn 2018). .Those who think American drama too often offers its characters the easy way out won't find that Read more ...
Thomas H. Green
“It was the night before Christmas and all through the house not a creature was sober, especially my spouse.” So runs the giggly spoken word opening line of “Harlan County Coal”, the third song on Hell of a Holiday by American country trio Pistol Annies. A semi-rock number, it insists the titular lump of combustible sedimentary rock is what the man in each of their lives will receive if he doesn’t straighten up his act.This cheerfully sassy woman-powered attitude permeates the album… well, the parts that aren’t Jesus-lovin’ or simply old fashioned Christmas cheese.Pistol Annies are big in the Read more ...
Nick Hasted
Neil Young’s ornery spontaneity has resulted in a remarkable number of mediocre songs. His sketchy 21st century has conjured audacious sonic conceits – the jazzy sparseness of Peace Trail, or the plastic-sounding live album Earth, both 2016 – without the writing to match. Last year’s disinterred, lost Seventies album Homegrown recalled how very different Young’s inspired instinct sounds. Reconstituting Crazy Horse with early member Nils Lofgren on Colorado (2019), after “Poncho” Sampedro’s retirement, covered similarly pedestrian work with his old band’s comforting sound. This follow-up has Read more ...
Nick Hasted
Neil Young’s ornery spontaneity has resulted in a remarkable number of mediocre songs. His sketchy 21st century has conjured audacious sonic conceits – the jazzy sparseness of Peace Trail, or the plastic-sounding live album Earth, both 2016 – without the writing to match. Last year’s disinterred, lost Seventies album Homegrown recalled how very different Young’s inspired instinct sounds. Reconstituting Crazy Horse with early member Nils Lofgren on Colorado (2019), after “Poncho” Sampedro’s retirement, covered similarly pedestrian work with his old band’s comforting sound. This follow-up has Read more ...
joe.muggs
The Californian label Stones Throw has long specialised in inseparably folding together the most profound and most wilfully foolish Black American music. And that is truer than ever on these 17 tracks from Virginian singer / songwriter / producer / multi-instrumentalist DJ Harrison. As the title suggests, this is a politically engaged record, directly addressing the dark history of Harrison’s Deep South home, where Confederate generals’ statues still stand as a reminder that slavery is not only commemorated but celebrated by many. But it’s also full of sonic and lyrical kookiness, with every Read more ...
Graham Fuller
The archetypal fascinating male in Jane Campion’s films – whether his allure for a woman owes to his earthy virility or emotional sensitivity, his animal appeal or his soul – has a malign other.That’s true of The Piano (1993), In the Cut (2003) and Bright Star (2009), though in the latter movie’s then atypical triangle, it’s the poet John Keats whom his friend Charles Brown seeks to possess and control, at least intellectually – not Keats’s beloved, Fanny Brawne.Brown's obsessive admiration for the poet anticipated the restrained homoerotic boy-crush that comes to dominate Campion’s Read more ...
Matt Wolf
It seemed impossible and yet, the other evening, while idly flicking through emails, I learned the unimaginable: Stephen Sondheim, age 91, had passed away. And very quickly by all accounts, given that he was reported to have enjoyed a Thanksgiving meal with friends just the previous day."They die but they don't," goes a lyric from Into the Woods, as my mind filled with multiple responses to the news, many of them culled from his work (and often cited by others in their own, instantaneous reactions). I, too, was "sorry/grateful" – bereft at the news and yet grateful for the work. But I suppose Read more ...
Sebastian Scotney
Saxophonist Kenny G knows exactly what buttons he needs to press to upset the jazz faithful. He is quoted as having said of his new album New Standards (Concord): “The jazz community is gonna hate it. And that doesn’t concern me.”There is quite some history of antagonism here. Turn the clock back to 1999 and the album Classics in the Key of G, and we hear Seattle-born G, né Gorelick, playing over the classic Louis Armstrong recording of “What a Wonderful World”. Hackles were raised, to put it mildly. Guitarist Pat Metheny, for example, called it “a new low point in modern culture – Read more ...
Thomas H. Green
Jason Isbell is a bigger noise on the other side of the Atlantic than he is in the UK but his last three albums have, nonetheless, bothered the middle-regions of the British album charts. He’s built a critically lauded career with his band The 400 Unit since leaving Drive-By Truckers a decade-and-a-half ago, merging country with rock and various southern US styles. His latest is a covers album benefit for three non-profit social justice organizations, including Black Lives Matter, and is, he says, a celebration of Georgia “turning blue” (voting Democrat) in last year’s US election. Happily it Read more ...
Nick Hasted
Miles Davis stole Charles Lloyd’s band, and much else. It was Lloyd’s classic quartet with Keith Jarrett on piano, drummer Jack DeJohnette and bassist Cecil McBee, not Miles, who were the first jazz act to play San Francisco’s Fillmore and gain an avid rock audience; their album Forest Flower: Live In Monterey (1967) sold a million, making Lloyd, with his Afro and hippie threads and exploratory, spiritually balmy sound a star. Playing acoustically, he built jazz’s bridge to rock, only for Miles to lure Jarrett and DeJohnette away, and Lloyd himself to seemingly vanish into the Californian Read more ...
Adam Sweeting
“Drug companies are supposed to be honest,” says a lady from the Department of Justice, explaining why the US Food and Drug Administration had been treating the pharmaceutical industry with a light, indeed barely detectable, regulatory touch.Dopesick is the story of how the chickens came home to roost when the unscrupulous drugs monolith Purdue launched its painkilling drug OxyContin on an unsuspecting American public, and from the mid-1990s into the 2000s set in motion one of the most devastating health scandals in medical history.Based on the book by Beth Macy, Dopesick: Dealers, Doctors Read more ...