21st century
Daniel Baksi
Following the much-maligned Venom (2018) and Venom: Let There Be Carnage (2021), the third film in Sony’s Spider-Man Universe stars Jared Leto as Nobel Prize-winning scientist Dr Michael Morbius. Suffering from a rare blood condition that threatens to take his life, Morbius self-enrols in an experimental cure, combining his DNA with that of a vampire bat and so destining himself for a future as a living vampire.Symptoms of Morbius’s newfound condition are as follows: super-human speed, super-human strength, echolocation and, as he ultimately discovers, flight. Morbius, for all intents and Read more ...
David Nice
Kudos, first, to Edward Gardner for mastering a rainbow programme of 21st century works in his first season as the London Philharmonic Orchestra’s Principal Conductor. Three Americans and a Berlin-based Brit, two women composers and two men, one of them a Pulitzer Prize-winning Afro-American who wrote the work in question in his nineties, all had the benefit of committed, clearly well-prepared performances, enthusiastically received by an ideally mixed audience.The concert kicked off a five-day Southbank Centre celebration of new and newish music from around the world, SoundState (though Read more ...
Graham Fuller
Some British TV viewers who were in junior school in the mid-1960s will recall the imported Australian kids’ show The Magic Boomerang. When the adolescent hero, a sheep farm kid, threw the eponymous piece of wood, he stopped time and was able to thwart crimes and right other wrongs as long as it was airborne; once he caught it, life continued as before in his corner of the Outback.Unequipped with an Aboriginal hunting weapon, Julie (Renate Reinsve) in The Worst Person in the World wills time to stop so she can run across Oslo, passing freeze-framed foot and road traffic, to start a passionate Read more ...
Annabel Bai Jackson
No mental health condition has become quite as kitsch as obsessive-compulsive disorder. Its tacky shorthands – the hand washing, the germaphobia, the clean freaks – have made their way into everything, from Buzzfeed listicles to The Big Bang Theory. As for literature, there’s a gaping OCD-shaped hole. Depression gets William Styron’s Darkness Visible, psychosis Daniel Paul Schreber’s Memoirs of My Nervous Illness. But the implicit cultural understanding of OCD as “quirk” has made it unworthy of literary treatment: insufficiently disturbing for trauma plots, and too specific to be a metaphor Read more ...
Sarah Kent
I would suggest watching River on the largest possible screen, so you can bask in the breathtaking beauty of the visuals. Directed by the Australian Jennifer Peedom, who won awards for Mountain and Sherpa, the documentary celebrates the magnificence of rivers and reminds us that we are utterly dependent on water for our survival. “Humans have long loved rivers,” says narrator Willem Dafoe but, he asks, “as we have learned to harness their power, have we also forgotten to revere them?”The answer, of course, is “yes” and the film reveals our propensity for treating rivers merely as resources – Read more ...
Harry Thorfinn-George
In 2021 TikTok became the most visited website in the entire world. Spending too much time on TikTok is probably bad for all sorts of geopolitical, ethical and spiritual reasons. But if you want to understand how we listen to and discover music in 2021 - it is the most important place to navigate.The app is not just a tool for record labels and artists to push new singles. It’s also become a space where music from the past is constantly being repurposed in bizarre and fascinating ways. For example, this year a Fleetwood Mac song re-entered the charts and became a Zoomer hit thanks to a guy on Read more ...
Graham Fuller
The restrictiveness of conventional gender identities explains the extreme body horror of Titane, in which a pregnant rookie firefighter frequently invoked as Jesus bleeds car oil from her vagina and from the stigmatic splits in her swollen belly. The miracle of Julia Doucournau’s luridly beautiful Palme d’Or-winner is that the memory of the violence puncturing the film's first half recedes as loving tenderness takes hold.Protagonist Alexia (first-time actor Agathe Rousselle magnificently channelling punk snottiness and catwalk hauteur) may be a serial killer who’s been impregnated by a car, Read more ...
Sarah Kent
Lubaina Himid won the Turner Prize in 2017 for the retrospective she held jointly at Modern Art, Oxford and Spike Island, Bristol. My review of those shows ended with the question: “Which gallery will follow the examples of Oxford and Bristol and offer Lubaina Himid the London retrospective she so richly deserves?”Four years later, here it is – at Tate Modern. But whereas those joint exhibitions revealed the richness and emotional depth of Himid’s work, this show leaves the viewer somewhat stranded, without the information needed to fully engage with subject matter that is often inscrutable. Read more ...
Izzy Smith
For most of us, fluttering our eyelids to convince a loved one to cook dinner is harmless meddling. Complimenting our boss on their new coat before asking for a promotion is necessary cunning. For the characters in Lucie Elven’s debut novel The Weak Spot, however, small moments of manipulation amount to something rather more sinister.Insecurities, penchants and fears become means of exploitation in a novel that uncovers what it is to have our "weak spot" used against us. Delightfully equivocal and quietly unnerving, the book offers a striking allegory of the power of information in the modern Read more ...
Gary Naylor
Vanya and Sonia and Masha and Spike has taken eight years to reach the London stage, which is surprisingly long for the Tony Award winner for Best Play of 2013: the pandemic, unsurprisingly, didn't help. But in a burst of somewhat un-Chekhovian confidence, here it now is re-cast from a previous run in Bath, and the wait has been worth it. Vanya and Sonia live in a rural Pennsylvania idyll with nothing to do except bicker about morning coffee and wait for the blue heron to land at their pond and demonstrate the urgent purpose that they have long abandoned. Their idle lifestyles are Read more ...
Robert Beale
Who will write the world’s first eco-concerto? Tom Coult, with his major debut piece for the BBC Philharmonic since becoming its Composer in Association, a violin concerto titled Pleasure Garden, has made his bid.Perhaps Vivaldi got there before him with The Four Seasons, but it must have seemed a great idea for the orchestra (in tandem with the University of Salford) to commission something to do with climate and the natural world for a concert timed to coincide with COP26. There’s more than just timing to it. Salford – or more precisely Worsley, a place some way from the city centre Read more ...
Jon Turney
Our everyday lives, if we’re fortunate, may be placid, even contented. A rewarding job, for some; good eats; warm home; happy family; entertainment on tap. Yet, even for the privileged, awareness of impending change – probably disaster – intrudes.Our entertainment is saturated with foreboding. In the Anthropocene, the hard-to-define era when the human collective has planet-wide effects that will endure for aeons, any new fictional world bears traces of the ways our real world is being made, or unmade.Mark Bould’s book explores how these reveal what he calls the Anthropocene unconscious, which Read more ...