20th century
DVD/Blu-ray: Nineteen Eighty-FourTuesday, 12 April 2022
"Disgusting", "depressing", "sheer horror from start to finish", a "filthy, rotten, immoral play". Such were the comments from viewers published across a spectrum of British newspapers following the BBC transmission, on 12 December 1954, of Nigel... Read more... |
BBC Philharmonic, Wilson, Bridgewater Hall, Manchester - passionate advocacy for Vaughan WilliamsMonday, 11 April 2022
At first sight, Vaughan Williams’ Second and Seventh Symphonies might seem to have a lot in common. Both are quite programmatic and pictorial, the second (the London) including music that might have finished up as a tone poem, and the seventh (... Read more... |
Hallé Choir, BBC Philharmonic, Davis, Bridgewater Hall, Manchester review - celebrating Vaughan WilliamsTuesday, 22 March 2022
Continuing the joint BBC Philharmonic/Hallé celebration of Vaughan Williams, Sir Andrew Davis took on the job of presenting three substantial works on Saturday.Toward the Unknown Region has given its title to the entire series, not a bad choice of... Read more... |
DVD/Blu-ray: SouthTuesday, 01 March 2022
There is little denying that the Antarctic continent is no longer possessed of the allure that it once was. By all accounts, particularly those unspoken, Antarctica has been betrayed, usurped, eclipsed.Beyond the sober walls of research laboratories... Read more... |
Fisher, BBC Philharmonic, Wigglesworth, Bridgewater Hall, Manchester review - war-tinged Vaughan WilliamsMonday, 28 February 2022
There was no overt reference to the world outside in this concert, and yet the poignancy of its content could hardly have been clearer if it had been planned: two symphonies and a song cycle each touched by the tragedy of war.It was the launch event... Read more... |
Kopatchinskaja, Namoradze, Budapest Festival Orchestra, Fischer, RFH review – a Stravinsky feastSaturday, 19 February 2022
It might seem odd to start with the encore, but I’ve never seen one like it. At the end of its two-night residency at the Festival Hall, having just romped through the rigours of The Rite of Spring, the players of the Budapest Festival Orchestra put... Read more... |
Blu-ray: Rainer Werner Fassbinder Collection Vol 1Sunday, 06 February 2022
A man sits at a table in an otherwise bare room. Shot in monochrome and positioned off-centre, he reads a newspaper and smokes a cigar, lazily obscured as two other figures drift into and out of shot. A brief fight ensues. A man falls to the floor... Read more... |
LPO, Canellakis, Royal Festival Hall review - ecstatic sonorities at full peltMonday, 24 January 2022
This remarkable evening should really have been more remarkable still. The unfortunate pianist Cédric Tiberghien took an official pre-travel Covid test that obliged him to drop out at 5pm – even though, as he tweeted in frustration, three subsequent... Read more... |
Blu-ray: Hungarian MastersTuesday, 28 December 2021
Three films, each restored to glorious 4K, make up Second Run’s Hungarian Masters set. Billed as “essential works by three of Hungarian cinema’s most renowned filmmakers”, each film earns that praise in its own way.Zoltán Fábri’s ... Read more... |
Feng, CBSO, Wilson, Symphony Hall Birmingham review - effortless expressionThursday, 02 December 2021
As the conductor of English National Opera’s 2018 production of Porgy and Bess, there can’t be many maestros in the UK who can currently match John Wilson’s knowledge of that extraordinary score. And there are surely none who can rival Wilson’s... Read more... |
Mark Bould: The Anthropocene Unconscious review - climate anxiety is written everywhereTuesday, 02 November 2021
Our everyday lives, if we’re fortunate, may be placid, even contented. A rewarding job, for some; good eats; warm home; happy family; entertainment on tap. Yet, even for the privileged, awareness of impending change – probably disaster – intrudes.... Read more... |
Delepelaire, RSNO, Søndergård, Usher Hall, Edinburgh review - festive and magicalMonday, 25 October 2021
“What a lovely sound that was!” declared Music Director Thomas Søndergård, bounding onto the podium of the Usher Hall. He was referring, of course, to the warm applause greeting the Royal Scottish National Orchestra on its first full outing in front... Read more... |
