Theatre Features

Dangerous Acts: filming Belarus Free Theatre

Madeleine Sackler Thursday, 27 March 2014

For the members of the Belarus Free Theatre, there are many risks to doing something that we might all take for granted: telling stories about our lives. These risks include censorship, blacklisting, imprisonment, and worse. But when the authorities forbid critical examinations of such topics as sexual orientation, alcoholism, suicide and politics, the Free Theatre responds by injecting these taboos into underground performances.

theartsdesk in Sydney: Beyond the Cringe

alexandra Coghlan Sunday, 23 March 2014

I hadn’t heard the term “cultural cringe” until I went to live in Australia. Holiday encounters had been so full of sunshine, art, water and music that it hadn’t occurred to me to doubt the cultural confidence and energy of the nation that gave us Patrick White and Peter Carey, Baz Luhrmann and Brett Whiteley, Joan Sutherland and Robert Hughes. But once I did, the phrase was everywhere.

Comment

I Found My Horn: Afterlife of a Book

Jasper Rees Monday, 17 March 2014

When a book is published, there are broadly speaking three alternative fates which lie in wait. It goes global, it sinks without trace, or it sells modestly and steadily to the readership for whom it was intended. There is, however, another potential option, which is that it catches a thermal and veers off in an unforeseen direction.

Comment

Final curtain for the Library Theatre

philip Radcliffe Wednesday, 19 February 2014

We are witnessing the end of an era in the long history of Manchester’s theatreland: the disappearance, after more than 60 years, of the treasured Library Theatre. Coming full circle, it is ending as it began, with a production of The Seagull.

Comment

On An August Bank Holiday for a Lark

Deborah McAndrew Wednesday, 05 February 2014

Shall I let you into a secret? Barrie Rutter isn’t always right. I’ve enjoyed a creative and rewarding professional relationship and personal friendship with Barrie for almost 20 years now, and I think I can say that without fear of him falling out with me. He isn’t always right – but he often is, and one of the things he’s right about is that a tragedy isn’t a tragedy until it’s a tragedy.

theartsdesk in Sydney: Upside Down Under

Christopher Beanland Sunday, 26 January 2014

Sydney has a nervous tic. People think Australians are brash and bolshy but that's not true. There's a deep sense of ingrained anxiety here. That anxiety comes from being at the edge of the world, a long way from Europe and in an unfamiliar and unrelenting land. It has been expressed through the art of Australia for 200 years. Today the country and its biggest city are both more confident, so the anxiety expresses itself in subtler ways.

The Resurrection of Conor McPherson

Jasper Rees Thursday, 23 January 2014

The transfer this week to the West End of The Weir has reminded theatre-goers of Conor McPherson’s hypnotic powers as a dramatist. In the Donmar's revival of the play you can palpably feel the playwright’s storytelling magic casting its spell all over again as, on a windy evening in a rural Irish pub, character after character unburdens himself - and finally herself - of a supernatural tale.

Arise, Sir Michael Codron

Jasper Rees Tuesday, 31 December 2013

The fledgling career of Michael Codron, who has been knighted in the New Year's Honours list at the age of 75, might have ended almost as soon as it began. He embarked on a career as a solo impresario in 1956 and had staged three shows, none of which prospered. Then he went to Cambridge and saw a promising undergraduate revue, written by Bamber Gascoigne.

Listed: The 12 Derangements of Christmas

theartsdesk Sunday, 22 December 2013

We at The Arts Desk are as fond as the next person of swans-a-swimming, partridges and pear-trees, not to mention gold rings, but be honest: 'tis already the season to be jolly sick and tired of all those knee-jerk compilations of Slade, sleighbells and Celine Dion's "O Holy Night". Without wishing to audition for the role of Ebenezer Scrooge, it’s time to admit that not everything made in the name of Christmas is of the highest artistic merit.

Listed: The Many Faces of Nelson Mandela

Jasper Rees Saturday, 14 December 2013

Nelson Mandela had a nose for the dramatic gesture. The evidence is there in his speech at the Rivonia Trial in 1964, in his symbolic walk to freedom as he emerged on foot from captivity in 1990, his astute performance at the Rugby World Cup in 1995 and then finally in death, announced just as an epic new film of his life was being premiered in London, the seat of the old colonial power.

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Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.

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