Theatre Features
Best of 2021: TheatreThursday, 30 December 2021
There was no live theatre at the start of 2021, just a return to the world of virtual performance and streaming to which we had become well accustomed, and very quickly, too. So imagine the collective surprise come the start of this month as show after show, venue after venue, ceased performance or curtailed operations, however temporarily. Read more... |
Antony Sher: 'I discovered I could be other people'Monday, 06 December 2021
The energy of Antony Sher, who has died at the age of 72, was prodigious. He not only acted like a fizzing firecracker. He wrote books about his most celebrated roles, and several novels set in his native South Africa. Read more... |
Stephen Sondheim in memoriam - he gave us more to seeTuesday, 30 November 2021
It seemed impossible and yet, the other evening, while idly flicking through emails, I learned the unimaginable: Stephen Sondheim, age 91, had passed away. And very quickly by all accounts, given that he was reported to have enjoyed a Thanksgiving meal with friends just the previous day. Read more... |
Remembering Henry Woolf, Harold Pinter's oldest friendTuesday, 16 November 2021
Henry Woolf's place in theatre history is small but significant, a bit like Woolf was himself. Until his death on November 11, at the age of 91, he was the last survivor of a gang who made friends at Hackney Down grammar school in the 1930s. The most famous member of the group was Harold Pinter. The Room, Pinter’s first play, was more or less commissioned by him. Read more... |
Royal Opera House lullabies for Little AmalTuesday, 26 October 2021
“I want to tell her that people will be good,” Tewodros Aregawe of Phosphoros Theatre confided to us as Little Amal closed her eyes on the giant bed made up for her in the Paul Hamlyn Hall, “that all the people with kind eyes who have walked alongside her and listened to her story will be louder than those who wish she wasn’t there”. Read more... |
First Person: Rachel O'Riordan on the enduring power of a sad, funny, and extraordinary playWednesday, 13 October 2021
The Beauty Queen of Leenane is a vicious, sad and extraordinary play. Read more... |
'The din is loud these days': playwright Cordelia Lynn on her imminent premiere at the Donmar WarehouseMonday, 11 October 2021
As I write this, we've just had our final day in the rehearsal room and are going into tech onstage next week with my new play, which is also reopening the Donmar not only to live performance but follows major renovations at their home address. Read more... |
First Person: theatre director Christopher Haydon on how the Rose Theatre, Kingston, can bloom anewMonday, 13 September 2021
Programming a theatre during a pandemic has been like trying to nail jelly to a set of constantly moving goalposts. Government indecision meant that reopening dates shifted repeatedly while the configuration of our auditorium kept changing as we tried to adapt to ever-evolving regulations around social distancing. Even our audience – once so familiar to us – became an unknown quantity. Read more... |
First Person: Director Maria Aberg on drawing fresh inspiration for the futureSaturday, 12 June 2021
When theatres in the UK closed last March, I found myself in a vacuum. Having been a freelance theatre director for over 15 years, I was used to busy – juggling a hectic schedule of directing shows with the reality of being a mum to two toddlers. Inspiration was something I might find in between opening nights, meetings and nursery runs – if I was lucky. Read more... |
First Person: playwright Tanika Gupta on being back in the rehearsal room once moreMonday, 07 June 2021
On the first day of rehearsals for Out West at the Lyric Hammersmith in May, myself and fellow playwrights Roy Williams and Simon Stephens stood, masked up and lateral flow tested for Covid, and listened as the Lyric Hammersmith's artistic director Rachel O’Riordan welcomed us at the traditional... Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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