Theatre
Krapp's Last Tape, Barbican review - playing with the lighter side of Beckett's gloomSaturday, 03 May 2025
In the Stygian darkness of a bare room, a table on a low platform with a light hanging overhead starts to emerge. Then a door briefly opens at the back of the space and the figure that has entered and sat down at the table also begins to emerge.... Read more... |
My Master Builder, Wyndham's Theatre review - Ewan McGregor headlines stillborn Ibsen riffThursday, 01 May 2025
It's both brave and bracing to welcome new voices to the West End, but sometimes one wonders if such exposure necessarily works to the benefit of those involved. And so it is with My Master Builder, American writer Lila Raicek's Ibsen-adjacent play... Read more... |
Dealer's Choice, Donmar Warehouse review - fresh take on a classic about male self-destructionWednesday, 30 April 2025
Patrick Marber’s powerful debut about gambling men is 30 years old, born as the Eighties entrepreneurial boom was starting to sour but before poker become a game for mathematical whizz kids. What it reveals as it maps the male psyche seems as... Read more... |
Much Ado About Nothing, RSC, Stratford - Messina FC scores on the bardic football fieldTuesday, 29 April 2025
Fragile egos abound. An older person (usually a man) has to bring the best out of the stars, but mustn’t neglect the team ethic. Picking the right players is critical. There’s never enough money, because everything that comes in this season is spent... Read more... |
Ben and Imo, Orange Tree Theatre review - vibrant, strongly acted fiction about Britten and Imogen HolstSaturday, 26 April 2025
Back in 2009, there were Ben and Wystan on stage (Alan Bennett’s The Habit of Art). Last year came Ben and Master David Hemmings (Kevin Kelly's Turning the Screw), followed by Ben and Imogen Holst according to Mark Ravenhill. That RSC Swan... Read more... |
The Great Gatsby, London Coliseum review - lavish and lively production fails to capture the novel's tortured soulSaturday, 26 April 2025
In 2012, an eight-hour long version of F Scott Fitzgerald’s The Great Gatsby arrived in London at the Noel Coward Theatre. Rather than risk offending the novel’s devotees by missing any detail out, the Elevator Repair Service theatre... Read more... |
The Inseparables, Finborough Theatre review - uneven portrait of a close female friendshipFriday, 25 April 2025
The Finborough has once again performed the miracle of creating a whole world in its intimate space: this time, inter-war France, where two young girls meet and form a strong attachment. The semi-autobiographical story comes from a 1954 Simone de... Read more... |
Personal Values, Hampstead Theatre review - deep grief that's too briefThursday, 24 April 2025
“They fuck you up your Mum and Dad; they may not mean to, but they do.” These lines from Philip Larkin’s 1975 poem, “This Be the Verse”, sum up the emotional fuel of many recent plays by young writers.They certainly apply to Personal Values, Chloë... Read more... |
Ghosts, Lyric Hammersmith Theatre - turns out, they do fuck you upFriday, 18 April 2025
A single sofa is all we have on stage to attract our eye - the signifier of intimate family evenings, chummy breakfast TV and, more recently, Graham Norton’s bonhomie. Until you catch proper sight of the room’s walls that is, which are not, as you... Read more... |
All the Happy Things, Soho Theatre review - deep feelings, but little dramaWednesday, 16 April 2025
The mind is its own place, and in itself can make a heaven of hell, a hell of heaven. Or words to that effect. This quote from Milton’s Paradise Lost seems apt when thinking about the prevalence of mental health issues in current new writing for... Read more... |
Shanghai Dolls, Kiln Theatre review - fascinating slice of history inadequately toldMonday, 14 April 2025
The writer Amy Ng has made a sterling effort in digging up the true story behind her new play at the Kiln, Shanghai Dolls, but sadly has not yet found the best way to project this interesting material. The Dolls are two women who meet in... Read more... |
Manhunt, Royal Court review - terrifyingly toxic masculinityMonday, 14 April 2025
Are we really in “a new era of male anger, societal discontent and rage”? This is what Royal Court artistic director David Byrne claims in the programme of Manhunt, Robert Icke’s new documentary play about Raoul Moat. Weak thought, because surely... Read more... |
