Reviews
Sarah Kent
An exhibition of this calibre deserves to be in the main gallery rather than tucked away in a side room; but these photographs and videos are by women artists, and with Donald Trump entering the White House, it looks as if treating women as second class citizens may become the norm once more. Washington’s National Gallery of Women in the Arts is the only international museum dedicated to women artists and this show is of work from their collection. Images by 17 artists, many of whom merit a solo exhibition in their own right, are crammed into the small gallery dedicated to collections. Read more ...
Boyd Tonkin
In one of Tessa Hadley’s piercingly smart and subtle tales, a woman whose upwardly-mobile path has taken her from Leeds to Philadelphia works for a firm that manufactures instruments to test the “tensile strength” of materials. You can treat the Hadley short story as that sort of device in itself. Precision engineered and finely calibrated, it stress-tests not only marriages and affairs but memories, desires, even identities, with episodes of crisis and discovery that reveal each fault-line or fracture. The reader marvels at the almost scary exactitude – but relishes the steel-edged finesse. Read more ...
Kieron Tyler
At September 2010’s MTV Video Music Awards, Lady Gaga took the stage in a dress made of stitched-together cuts of meat. The outfit, she said, was a political statement worn to draw attention to the aspect of the US military's don't ask, don't tell policy preventing anyone who "demonstrate[s] a propensity or intent to engage in homosexual acts" from joining the forces. The first female singer to wear a meat dress on stage, though, had less of a profile.Lady Gaga’s prototype was Liverpool-born art-rock provocateur Linder Sterling who, on 5 November 1982, was playing Manchester’s Haçienda with Read more ...
Matt Wolf
There's an irony to be found in the fact that America's 45th president is already abolishing any and all things to do with the arts even as his ascendancy looks set to provide catnip to artists to a degree not seen since the heyday of Margaret Thatcher. By way of proof, consider the smart, savvy theatrical pop-up that is Top Trumps, in which a dozen playwrights provide a kaleidoscopic range of responses to recent events that offers empathy and reason for alarm in equal measure.Battersea's 63-seat Theatre 503 is to be commended on a four-performance-only venture that surely deserves a broader Read more ...
Gavin Dixon
The Bergen Philharmonic recently appointed Edward Gardner as its Chief Conductor – ENO’s loss is Bergen’s gain. He is contracted to 2021, so this is the start of a long relationship. On the strength of this concert, the London leg of a UK tour, it is an ideal match. Gardner (pictured below by Benjamin Ealovega) is a dynamic conductor, but one with an impressive ability to accommodate performing traditions. The Bergen Philharmonic recently celebrated its 250th anniversary, so it has plenty of those. The orchestra’s distinctive flavour was much in evidence here, but so too the conductor’s Read more ...
Marina Vaizey
From India, here is a hoard of what really looks like treasure, much of it emerging into the light of day after decades, if not a century. Jewellery, sculpture, textiles, paintings, carvings, architectural fragments, domestic interiors, metalwork, drawings, books, furniture, toys, photographs, plasterwork – all are gathered together in a glittering display in galleries unified under the name of Lockwood Kipling.Who was he – other than an evocative name seemingly out of Trollope or Dickens? John Lockwood Kipling (1837-1911) is far better known as the father of Rudyard, than as a pioneering Read more ...
Adam Sweeting
"This had better not be shite, Danny," was the warning delivered to director Danny Boyle from his cast, amazingly reunited from the original Trainspotting 21 years later. They had reason to be fearful, knowing how things often go with sequels, but Boyle, teaming up again with original screenwriter John Hodge, has pulled a fabulously misshapen rabbit out of his hat, which triggers echoes of the 1996 film yet can stand unaided in its own right.The first film's odyssey of a bunch of Edinburgh heroin addicts yawed vertiginously between horror and farce, though its pounding pop-culture veneer Read more ...
Peter Quantrill
Symphony is a word carrying heavy historical baggage. It’s understandable when composers dig for inspiration elsewhere. All the same, Mark-Anthony Turnage has grasped the symphonic nettle with Remembering – In memoriam Evan Scofield which received its first performance last night. Many more will follow, I’d venture.The shock of recognition was not slow in arriving with the opening movement’s construction, bright and angular as steel girders, finding the LSO at their most incisive. There followed an Allegretto-type elegy, then a twisted waltz with trio and repeat. Like Haydn, no less than Read more ...
Markie Robson-Scott
“A First Lady must always be ready to pack her suitcases,” remarks Jackie Kennedy (Natalie Portman). Melania Trump, take note. Jackie, the first English-language film by the Chilean director Pablo Larrain (Neruda, No), is set in the week following the assassination of President Kennedy in 1963, as Jackie moves out of the White House and before the Johnsons move in. In a disjointed, non-chronological way – the assassination scene keeps recurring – it’s framed through the lens of Jackie’s interview for Life magazine.The unnamed journalist (an unsympathetic Billy Crudup) is based on Theodore H Read more ...
aleks.sierz
A day or so after Theresa May’s keynote speech about Brexit the words Europe and European carry an electric charge. For Leavers, they represent the evil empire; for Remainers, a world we have lost. In this context, seeing a play by Germany’s most performed playwright feels more than usually significant. Although Roland Schimmelpfennig has dozens of plays to his name, only a handful have been staged in this country so this is a good chance to catch up with his work. The fact that Winter Solstice is billed as a razor-sharp comedy whose subject is Nazism only adds to the interest that radiates Read more ...
Tom Birchenough
The homecoming narrative is one of the most elemental ones we know, playing on the most primal human emotions. Stories of separation and reunion have been handed down from time immemorial, varying in their specifics but dominated by their intricate connection to feelings of origin and identity. Lion may be inextricably linked to the details of contemporary life in one sense, but its final scenes have a power that goes far beyond it. In director Garth Davis’s hands the story is told with a sensitivity that avoids the lure of sensationalism.Adapted from Saroo Brierley’s memoir A Long Way Home, Read more ...
David Kettle
We probably think we know the story. From Peter Weir’s cult 1975 film, or even from the original 1967 novel by Joan Lindsay. An excitable gaggle of Australian schoolgirls from an uptight, English-run boarding school take a trip to sinister volcanic Hanging Rock, where four vanish – three students, one teacher – leaving no clues as to what’s become of them.Although it’s entirely fictional, it feels like a tale that’s existed forever, one that needs to be told and retold. And it’s Picnic at Hanging Rock’s mythic status that sits at the core of this superbly fierce, austere staging by Melbourne’ Read more ...