Reviews
Jonathan Geddes
There are a few perils to saying supercalifragilisticexpialidocious, as Janette Manrara discovered on this opening night of Disney’s anniversary arena jaunt. Trying to divide the Glasgow crowd into sections to sing the song, Manrara tripped over who was to sing what, something only notable because the rest of the evening was possessed of an almost overpowering slickness.Although the opening overture went all the way back to Steamboat Willie, nearly all of the set, which featured a full orchestra, a rotating array of singers supplied from the West End and a likeable, cheerful hostess in Read more ...
Helen Hawkins
Devoted fans may not learn anything that new about Noel Coward from Barnaby Thompson’s documentary Mad About the Boy, but they will doubtless see some new things. And those who know “the Master” only from his early plays, hardy perennials these days in British theatres, will marvel at the sheer range and volume of his output.Thompson has been given access to archive materials, including Coward’s home movies, by his estate, and these provide a welcome garnish to the bare bones of his CV. See Coward propelling himself on a lilo across the sea at the foot of his beloved Jamaican property. Read more ...
Helen Hawkins
Lip-syncing has become the hobby of many a young TikToker, but only an intrepid professional would contemplate using the technique to play Hamlet. Or rather, to “play” some of the knighted thespians and stars who have portrayed him. Dickie Beau is that brave soul. He has brought his 2020 show, Re-Member Me, back to the UK after its progress abroad was rudely interrupted by the pandemic, and it has bedded in nicely. An amalgam of film, multiple recorded famous voices, some witty stagecraft and Dickie’s gifted brand of physical comedy, it has a scope beyond co-ordinating face muscles to Read more ...
alexandra.coghlan
“I am a poor student,” the Duke tells a smitten Gilda, in music that can barely keep a straight face, so plush is its melody, so oozing with confidence and privilege.It’s a short step from there to Cecilia Stinton’s new Rigoletto for Opera Holland Park, which takes him – almost – at his word, transplanting Verdi’s rapey young aristo from 16th-century Mantua to an Oxford college between the wars: a Bullingdon Club hooray to Rigoletto’s downtrodden college porter with a chest full of medals and a gammy leg.It's a playful idea, Rigoletto as origin-myth for, ahem, a certain type of public Read more ...
David Nice
Conversation just before this concert started concerned Verdi’s Il trovatore and the truism that it needs “the four greatest voices in the world”. Whether or not the quartets we heard by Mozart, Prokofiev and Brahms demand the same in string terms, they all hit breathtaking levels of humanity, thanks to the singing interaction of the Jerusalems, the peerless chamber music equivalent of the Berlin Philharmonic.Never has Mozart’s D major Quartet K575 sounded more like one of his great comic (or semicomic) operas, with only passing shadows like the sudden unison gruffness of the Menuetto. The Read more ...
Robert Beale
Innovation is always a risky business. Opera North’s vision and ambition for this production is to create, in effect, a new genre: a combination of staged choral-orchestral performance with contemporary dance.Partnership and diversity are the buzz words – good ones, too – and the concept brings together the opera company’s soloists, chorus and orchestra with dancers from both Leeds-based Phoenix Dance Theatre and South Africa’s Jazzart Dance Theatre, plus some help from Capetown Opera.The link here is choreographer Dane Hurst, until recently artistic director of Phoenix and now its artistic Read more ...
Lia Rockey
Sophia Giovannitti begins selling sex because it promises to make her the most amount of money in the shortest amount of time. She also has a “near categorical hatred of work.”I nearly – mentally – tweak that sentence to read “of conventional types of work”, but that simply wouldn’t be true: throughout Working Girl: On Selling Art and Selling Sex, Giovannitti asserts that the problem is work itself, which brings us back to the selling of sex as a no-brainer solution for somebody who is actively disengaged with the entire system. Sex work is her unconventional – though no less valid – ticket Read more ...
Helen Hawkins
Hey-hey! Alright! The standard greeting of Kendall Roy will be much missed, along with all the other regular joys of Succession. It wasn’t always 100% perfect, thank goodness, it was all too human: changeable, moody, ultimately self-serving, just like its characters, especially as it powered to a climax.But its finale was television writing at its best, daring to slow down, even veer towards sentimentality, before hustling its audience to the finish line with a series of bruising twists and satisfying emotional contortions (a few spoilers lie ahead). Inside Waystar's glass palace the action Read more ...
stephen.walsh
Götterdämmerung is not only the grandest of Wagner’s Ring operas, it is also the most varied. Siegfried’s journey down the Rhine transports him in a short quarter-hour from the hieratic world of the Norns and the World Ash to the soap-opera of the Gibichungs and their anxieties about marriage and political standing (opinion polls?).The second act culminates in a revenge trio worthy of Meyerbeer. Siegfried’s squalid onstage murder – shades of Bizet’s exactly contemporary Carmen – is followed by a thirty-minute disquisition on the end of the world.I exaggerate, but only a little. Read more ...
Thomas H. Green
VINYL OF THE MONTHRahill Flowers at Your Feet (Big Dada)Rahill Jamalifard’s debut solo album somehow transmutes autobiography into gorgeous slow-pop. Of Iranian-American origin and best-known as singer of the band Habibi, she and FKA Twigs producer Alex Epton use home recordings and pensive, sometimes nostalgic lyrics to create something unique, lolling and amiable. Beck appears on one song, “Fables”, and the magpie spirit of his best work is a good reference point. It’s a lovely album that seems at once familiar, yet strange and new, a collation that includes elements of jazz, trip hop, hip Read more ...
Helen Hawkins
The Bond film theme plays and the lights go up at the Bush’s Studio space to reveal, not a tuxedoed superspy, but a slim figure in casual clothes sitting on a raised platform. He starts his first speech, then stops, makes asides to the audience, then restarts it. Then wishes it was a film, “which it isn’t”.The figure is Nikhil Parmar, writer of this 60-minute play, who peoples the little stage with a whole neighbourhood: his family, cousins, friends and fellow tenants. Usefully, he has given them all different ethnic accents to help us work out who is who. Scenes rapidly transform, cued by Read more ...
Mark Kidel
The circular form of the large turf-roofed round house at the Ancient Technology Centre in Cranborne, Dorset, is tailor-made for music in the round. The latest in the series of Jaminaround concerts made the most of the intimacy that the venue provides, with music that engaged the audience in a way that conventional staging makes difficult.On a conventional stage, performers are elevated above the spectators, and, even if they body-surf through the crowd, there's a certain distance, a show rather than a conversation. Expertly and sensitively curated by musician Olly Keen, whose father Read more ...