Reviews
Rachel Halliburton
For the first part of Punch it feels as if you’re riding a roller coaster, watching the world speed and loop past as you see it from the perspective of a young man high on hormones and cocaine. He’s 19 years old and in perpetual motion as he zips in and out of the pubs of Nottingham in search of the next girl, the next dance beat, the next drugs hit.It looks as if he’s having the time of his life, but as everyone in the audience is aware, this is the night that will send shockwaves both through his life and through the lives of a family he’s never met. After a call from a mate saying that Read more ...
Boyd Tonkin
When you go to the prince’s ball, would you prefer a night of sobriety or excess? Julia Burbach’s new production of Rossini’s Cinderella (La Cenerentola) for English National Opera frankly errs on the side of theatrical over-indulgence. The stage-business treats arrive thick and fast like trays of richly seasoned canapés, from the scurrying kids in mouse costumes who act as the mastermind Alidoro’s hi-tech little helpers to the all-male chorus togged out in an assortment of scarlet-to-pink period outfits as Prince Ramiro’s ancestral ghosts. I never quite discovered why those hard-working Read more ...
Kieron Tyler
“It's a Happening Thing,” January 1967’s debut single from California’s Peanut Butter Conspiracy, is one of the year’s best. Driving, with a full sound, a psychedelic edge, soaring vocal and immediate tune, it sounds like a hit.However, despite being issued by major label Columbia, it wasn’t. As it’s put in the booklet coming with The Most Up Till Now – A History 1966-1970 box set, the single “barely scraped into Billboard’s Hot 100, peaking at the number 93 slot.”The band’s next 45, March 1967’s "Dark on You Now” was as great. But, this time, no chart action at all. Their debut album, the Read more ...
Bernard Hughes
Last night’s concert at Kings Place was a programme of contemporary pieces – including several premieres – by horn superstar Ben Goldscheider and string quartet Brother Tree Sound, “curated”, as the current lingo has it, by young composer Ben Nobuto, whose high-spirited and invigorating music finished things on a high.There were some pieces for horn plus quartet – first violinist Anna de Bruin’s intricately-textured Aurea, John Croft’s beguiling Voi sete la mia stella and Nobuto’s finale Hope Spiral – alongside others for strings along, some garlanded with Read more ...
Helen Hawkins
What would it be like to be driven by OCD urges into idolising Elon Musk and aspiring to be one of his tribe of tech bros? In his debut play, Will Lord, who has been diagnosed with OCD himself, has attempted to spell this out, with mixed results.The scene is a basement office stacked to ceiling height with old cardboard boxes and filing cabinets. At either end is a desk. The audience sits in two long rows in traverse, on either side of the space. Into it strides a ponytailed blonde woman in a white trouser suit who comes on like a fierce motivational speaker, the kind that can lead audiences Read more ...
Rachel Halliburton
So often the focus – in the coverage of a royal wedding – is the story of the woman wearing the bridal dress. While every fashion choice she makes will be scrutinised for the rest of her life, it is, nonetheless, she herself who will be mercilessly interrogated as the representative both of a nation’s ideals and its discontents.So it’s a refreshing departure that Caroline Guiela Nguyen’s ravishing, emotionally absorbing Lacrima puts its lens firmly on the dress. It’s a story that’s every bit as human as the princess herself as it reveals a whole ecosystem of workers and the pressures and Read more ...
Claudia Bull
Joanna Pocock’s second full-length book, Greyhound, tells the story of a single journey made and remade. In 2006, after the death of her sister and several miscarriages, Pocock travelled 2,300 miles from Detroit to Los Angeles by bus. She replicates the trip seventeen years later, curious to see how the States have changed and hoping to catch sight of her former self: “A ragged person running away from loss.”Greyhound synthesises the two trips and represents a blend of aims and genres typical of Fitzcarraldo’s non-fiction list: part memoir, part reportage; a polemic on environmental vandalism Read more ...
aleks.sierz
Playwright Joe Orton was a merry prankster. His main work – such as Loot (1965) and What the Butler Saw (1969) – was provocative, taboo-tickling and often wildly hilarious. Now the Young Vic is staging a revival of his debut, Entertaining Mr Sloane, directed by this venue’s new supremo Nadia Fall, and starring celebrity polymath Jordan Stephens. But does 1960s provocation still resonate today?Well yes and well, no. While this play still has the ability, sporadically, to disturb, the passing of time also means that some of Orton’s attitudes have not aged well. So even Read more ...
Robert Beale
Rachel Helleur-Simcock’s first appearance with the Hallé after appointment as leader of its cello section was auspicious – she became the soloist in their performance of Elgar’s Cello Concerto in the season’s opening concert at the Bridgewater Hall (Truls Mørk having had to withdraw).After 16 years with the Berlin Philharmonic, she’s come to the Manchester orchestra. No stranger to the concerto’s solo role, she brought a highly lyrical, sweetly sorrowful voice to it that made this performance, conducted by the Hallé’s gifted young maestro, Kahchun Wong, one of the most affecting I’ve heard. Read more ...
Gary Naylor
About halfway through this world premiere, I realised what was missing. Where is the sinister lift, where are the long corridors and, most of all, WHERE IS MR. MILCHICK? 50 First Dates: The Musical may indeed be the sunnier cousin of Severance, but it’s also much older, tracing its roots back to the mid-hit movie of the same name.You could be forgiven for having forgotten that 2004 Drew Barrymore / Adam Sandler romcom, but writers, David Rossmer and Steve Rosen and director/choreographer, Casey Nicholaw, hadn’t. Fast forward and, like so much else just now, what was born in a pandemic Read more ...
David Nice
Forget Anna Netrebko, if you ever gave the Russian Scarpia’s former cultural ambassador much thought (theartsdesk wouldn’t). It should be uphill from now on as Aleksandra Kurzak takes over the role of a diva out of her depth. Last night, though, she was unwell, and the role was taken by Ailyn Pérez, a lyric soprano who knows how to pull out all the right stops and whose dramatic truth complemented Oliver Mears’ production to perfection, presumably on little rehearsal time.Mears plays mostly by the Puccini/Giacosa/Illica rulebook of love and terror in totalitarian Rome - foolish the director Read more ...
Jenny Gilbert
It was the absence of performing animals that defined it in the 1980s, but contemporary circus has come a long way since. Cirque Éloize, a smallish touring company which started in Montreal in the late 90s, has so effectively dissolved the boundaries between dance, acrobatics and theatre that it performs around the world under any or all of those banners. Its current tour to UK theatres offers urban attitude, breakdance and hip hop along with aerial skills, trampolining and trick cycling – often hair-raisingly at the same time. Perhaps it was inevitable. Street dance and acrobatics share a Read more ...