Opera Reviews
Oedipe, LPO, Jurowski, RFH review - Enescu's masterpiece glorious and completeMonday, 25 September 2017
It’s official: Romanian master George Enescu’s four-act Greek epic lives and breathes as a work of transcendent genius. It took last year’s Royal Opera production to lead us further along the path established by the magnificent EMI studio recording with José van Dam as protagonist. Read more... |
Senza Sangue/Bluebeard's Castle, Hackney Empire - uneven French-Hungarian mixWednesday, 20 September 2017
Has Hackney ever seen or heard such a spectacle – a full Hungarian orchestra taking up most of the Empire stalls to complete the semi-circle of a relatively empty stage? And did enough of London get to hear about it? Read more... |
La Damnation de Faust, LSO, Rattle, Barbican review - infernal dynamiteMonday, 18 September 2017
For his monster concerts in 1840s Paris, Berlioz took pride in assembling and marshalling a "great beast of an orchestra". At the Barbican on Sunday night, the LSO filled the stage and fitted the bill. Read more... |
Pagliacci/L’enfant et les sortilèges, Opera North review - off and on with the motleyMonday, 18 September 2017
The first two one-acters in Opera North’s season called The Little Greats were unveiled on Saturday. There are six in all, scheduled on a mix-and-match basis so Leeds opera-goers can choose their own tapas menu: grab one show, choose from various pairs, or even try three on a Saturday (including a matinee) if you want to. Read more... |
Die Zauberflöte, Royal Opera review – enjoyable revival of much loved productionWednesday, 13 September 2017
This is the sixth revival of David McVicar’s production of Die Zauberflöte at Covent Garden since its debut in 2003. It was heard most recently in 2015, and is modestly described in the Royal Opera’s own publicity as a “classic”. Read more... |
La Bohème, Royal Opera review - spectacle and sentiment not yet in focusTuesday, 12 September 2017
“I’m not in the mood” – “non sono in vena” – sings aspiring poet Rodolfo as he settles down to write a lead article. Was it me, or had the mood not settled by the premiere of the Royal Opera’s first new production of Puccini's structurally perfect favourite for 43 years? The singing was good to occasionally glorious, Antonio Pappano’s conducting predictably idiomatic and supportive. Read more... |
Princess Ida, National Gilbert & Sullivan Opera Company review - sparkling comedy, wobbly setsFriday, 01 September 2017
I’ve said it before and I’ll say it again: you have to be pretty silly to take Gilbert and Sullivan seriously. But even sillier not to. Read more... |
Prom 61 review: Fleming, Royal Stockholm Philharmonic Orchestra, Oramo - heliotropic ecstasiesThursday, 31 August 2017
No sunshine without shadows was one possible theme rippling through this diva sandwich of a Prom. Read more... |
Edinburgh Festival 2017 review: Verdi's Macbeth - exhilarating and overwhelmingMonday, 21 August 2017
Skeletal horses; piles of newborn babies smothered in a bloody sheet; a whole garden centre of prickly pears. There’s no denying that Italian director Emma Dante’s new production of Verdi’s Macbeth, which Turin’s Teatro Regio brings to the Edinburgh International Festival, is visually dazzling, even at times hallucinatory. Read more... |
Prom 31 review: La Damnation de Faust, Gardiner - Berlioz tumbles out in rainbow coloursWednesday, 09 August 2017
The road to hell is paved with brilliant ideas in Berlioz's idiosyncratic take on the Faust legend. Read more... |
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