Founder rate ends 9th September.

We’re rebuilding theartsdesk to secure the future of real arts journalism. Be part of it by subscribing: if you do it now, the founders’ rate of just £40 yearly is yours FOR LIFE!

SUBSCRIBE NOW 

CD: Celine Dion - Courage

Moments of recovery and resilience on diva's new album

share this article

Epic elongated chorus notes - and a few surprises - on Celine's Courage

Of 2019’s pop culture phenomena, the critical reappraisal of Céline Dion as an international treasure is one of the most delightful. It’s been six years since the Quebecois singer last released an English language album, a period in which she closed out 16 years of Las Vegas residencies, soundtracked both Disney and Deadpool and, most importantly, mourned her husband, René and brother, Daniel. Those losses unsurprisingly colour much of Courage, which across an expansive track listing features plenty of moments of recovery and resilience. And even, tentatively, hints at new happiness.

Opening track “Flying On My Own” - which she performed on her final night in Vegas - hints at a new-found boldness, with its EDM-inspired production and the sort of epic elongated chorus note Dion is famed for. On slinky kiss-off “Lovers Never Die” she pouts her way through the decidedly un-Céline “it’s obvious that you’re full of it” while the glorious drama of her delivery, coupled with a killer string section, elevates the David Guetta/Sia-penned “Lying Down” beyond empowerment-by-numbers. Then there’s “Nobody’s Watching”, which opens with a jarring line about political correctness but concludes with the utterly charming image of Céline My Actual Heart Will Go On Dion battling ‘always on’ social media culture by singing into a hairbrush microphone and partying “like a Belieber”.

Running to 20 tracks in its deluxe form and crediting over 40 named songwriters, it’s unsurprising that the album drags in places: generic pop-rock strummer “The Chase” is wasted on lungs as legendary as Céline’s while “Baby”, which features writing credits from Sia and Maureen McDonald, co-writer of Miley Cyrus’ “Wrecking Ball”, could be anybody’s. Its high points come when Céline gets to do what Céline does best: open her lungs and pour out her soul on the stripped back title track, gospel-infused “Look At Us Now” and piano power ballads “Falling In Love Again” and “I Will Be Stronger”. As the music swells cinematically, and she hits those top notes, you’ll remember why you fell in love.

Below: hear "Courage" by Céline Dion

Its high points come when Céline gets to do what Céline does best: open her lungs and pour out her soul

rating

3

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 9th September this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

A breathless half-hour takes in screaming, stop-start song structures and the odd hint of reflectiveness
The American singer's eighth album is rife with downtempo ruminations on love
A thrilling blast of deep rooted culture and devout belief
Two decades on from Patti Smith and the original pink sheep, the anniversary edition proved again that Latitude's real headliners are rarely at the top of the bill
From Korean bluegrass to gigantic Ugandan xylophones, the global diversity of musical life is here
A championing, but also perhaps a dilution, of South African innovation
The return of a punk-era landmark of British art rock
With a danceable rock feel she displays her burgeoning creativity
The garage rockers don't do themselves justice on new album