Founder rate ends 9th September.

We’re rebuilding theartsdesk to secure the future of real arts journalism. Be part of it by subscribing: if you do it now, the founders’ rate of just £40 yearly is yours FOR LIFE!

SUBSCRIBE NOW 

CD: Christmas with Elvis and the Royal Philharmonic Orchestra

The ghost of Presley past

share this article

Elvis will be home for Christmas... but only in your dreams

It’s that time of year again, and we’re forced to endure crap Christmas songs while waiting to pay for milk and loo rolls. The fingers of one hand are sufficient for listing the world’s only good Christmas albums and songs: Phil Spector’s Christmas Album, “Fairytale of New York”, “Happy Christmas (War is Over)”, “Merry Christmas Everybody” and “Do They Know It’s Christmas”. OK, that includes a thumb. As a child I was a great fan of “Little Donkey” by Nina and Frederick, and Harry Belafonte’s “Mary’s Boy Child”, with its faint hint of calypso. From Joan Baez’s long-ago Christmas album, beautifully arranged by Peter Schickele, I still have a soft spot for “Carol of the Birds” and “Cantique de Noel” – but they were never intended as chart toppers and her voice was then ethereal.

Elvis from Beyond the Grave with the Royal Philharmonic Orchestra is the audio equivalent of a chocolate yule log you’d buy at Poundland, its origins uncertain, its effects at best cloying. Remastering is one thing, but this ongoing trend for duets with the dead and “concerts” involving holograms of the departed is a bridge too far. Elvis left the building several decades ago but he’s just enjoyed a “six-date engagement” touring the UK. Poor old Elvis: exploited in life by Col Parker and in death by his ex-wife.

The RPO has long been a band for hire and without endeavours such as these it would probably be a case of RPO RIP. Priscilla Presley has no such excuse and while the King did indeed have a penchant for both schmaltz and God, it’s not clear that he would be “smiling” on these extra-syrupy re-treads. Then again, he had pretty terrible taste.

The CD brings together Elvis’ Christmas Album from 1957, when his voice was golden, with Elvis Sings the Wonderful World of Christmas (1971), when it, and much else, had tarnished. There’s the odd OK moment: Lieber and Stoller’s “Santa Claus is Back in Town” is not-bad R&B, once you’ve got passed the intro, and “Blue Christmas”, on which he’s backed by the great Jordanaires, was one he made into a country Christmas classic. As for what have been called Elvis’s “signature interpretations of secular and sacred holiday classics”? Discuss.

It’s pure 1950s – which is of course entirely appropriate given where Britain is headed. If you're into it, the DeLuxe Edition features four “bonus” tracks released originally as The Peace in the Valley EP. Make sure you have a good supply of Rennies.

Liz Thomson's website

Poor old Elvis: exploited in life by Col Parker and in death by his ex-wife

rating

1

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 9th September this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

Two decades on from Patti Smith and the original pink sheep, the anniversary edition proved again that Latitude's real headliners are rarely at the top of the bill
From Korean bluegrass to gigantic Ugandan xylophones, the global diversity of musical life is here
A championing, but also perhaps a dilution, of South African innovation
The return of a punk-era landmark of British art rock
With a danceable rock feel she displays her burgeoning creativity
The garage rockers don't do themselves justice on new album
Andy Dragazis’ musical alter-ego offers nods to legendary arranger and producer Charles Stepney
The welcome return of a foundational album of electronic minimalism