Founder rate ends 9th September.

We’re rebuilding theartsdesk to secure the future of real arts journalism. Be part of it by subscribing: if you do it now, the founders’ rate of just £40 yearly is yours FOR LIFE!

SUBSCRIBE NOW 

CD: Alison Krauss - Windy City

First solo outing in 18 years reworks some country classics

share this article

A woman from Illinois with Tennessee blood in her veins

An album to please old fans and make new ones, Windy City is a peach – even at first playing it feels like slipping in to a worn-in pair of jeans or boots, a comfy ol’ fit. And that’s because the songs are country classics and in our musical DNA.

Alison Krauss might have grown up in Decatur, Illinois but she surely has Tennessee blood in her veins. Windy City finds her paired up with Buddy Cannon, a state native who’s produced albums by the likes of Willie Nelson, Merle Haggard and Billy Ray Cyrus. Her debut for Capitol, it’s her first solo outing in almost 18 years and she’s backed by some of Music City’s finest. Fiddles, piano and steel guitar underpin Krauss’s keening, heartfelt vocals. Like all the best country music it all sounds so easy.

The stand-out track among many is “You Don’t Know Me”, the mid-fifties hit which closes the album. Elvis, Dylan, Diana Krall and Emmylou Harris are among those who’ve covered it – and of course Meryl Streep had damned good shot at the song in Postcards from the Edge. It’s a perfect 10 and you just want to play it over and over. Heartbreak at its very best! “All Alone Am I” is forever associated with Brenda Lee (and how many of us realised it was written by Manos Hadjidakis for Never On Sunday, starring Melina Mercouri – the lyrics came later, written for Lee). Willie Nelson’s “I Never Cared for You” has a south-of-the-border feel, while the title track and “Gentle on My Mind”, which won awards for Glen Campbell, provide the album’s up-tempo moments. Krauss bluegrass roots show in “Poison Love” – Bill Monroe would approve – and the gossamer-light vocals would do Dolly Parton proud.

There’s just one complaint: Windy City just isn’t long enough (at 34 minutes it really is short) though the de luxe edition buys you for extra tracks, live versions of four of the songs.

One complaint: at just 34 minutes, Windy City just isn't long enough

rating

3

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 9th September this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

Two decades on from Patti Smith and the original pink sheep, the anniversary edition proved again that Latitude's real headliners are rarely at the top of the bill
From Korean bluegrass to gigantic Ugandan xylophones, the global diversity of musical life is here
A championing, but also perhaps a dilution, of South African innovation
The return of a punk-era landmark of British art rock
With a danceable rock feel she displays her burgeoning creativity
The garage rockers don't do themselves justice on new album
Andy Dragazis’ musical alter-ego offers nods to legendary arranger and producer Charles Stepney
The welcome return of a foundational album of electronic minimalism