CD: McBusted - McBusted

Watch what happens when two pop-punk boybands collapse into one

share this article

McBusted: cartoonish in every respect

The story of Busted and McFly was a weird case of pop lightning striking twice. Busted, an early 2000s attempt to put together a boyband-with-guitars for girls who don't like boybands, was a huge success – not least because one of its members, James Bourne, proved to be an extraordinarily deft bubblegum pop-punk songwriter. But not only that, but another auditionee for Busted, the then also teenaged Tom Fletcher, was taken on by the management as part of the band's writing team, and as apprentice to Bourne proved to be at least his equal – spawning offshoot band McFly, multi-platinum albums and all.

Add another lightning strike to the unlikely story. Because after the inevitable stresses of fame, splits, rehab, petering out of success with ageing audiences and all the rest, the two bands are now one: all the original members of both bands bar Busted's desperate-to-be-taken-seriously Charlie Simpson are now a single entity and selling out arenas like it's nothing. And – thankfully – they are still doing exactly what marked them out in the first place: to whit, fusing the relentlessly catchy but disaffected skate-and-tattoo punk of bands like Blink-182 and Jimmy Eats World with musical nods to the Beatles, Monkees and Beach Boys, and a fantastically British sense of gentle self-mockery.

Somehow, now that they're on the cusp of their thirties, this suits the six-piece as well as it did 10 years ago – there's plenty of sense of time passing, opportunities missed and pop culture passing one by in place of time travel and crushes on teachers, which just adds piquancy to the bittersweet songs. The songs are mostly under three minutes, as they should be, and even the 15-track deluxe edition is a refreshing 48 minutes; the opening one-two of "Air Guitar" and "Hate Your Guts" (the latter actually featuring Blink-182 leader Mark Hoppus), and the strangely natural sounding electro confection "Riding on my Bike" in particular, are little short of perfect pop. There are dips in quality, but not many, and overall it's a success as bafflingly impressive as the back story.

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
There's plenty of sense of time passing, opportunities missed and pop culture passing one by

rating

3

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

more new music

The last great bastion of regular international vinyl record reviewing
Third album from Poet Laureate Simon Armitage and friends is propelled by cosmic as well as worldly themes
With a line-up that includes Exodus and Carcass, a top-notch night of the heaviest metal
Leading Kurdish vocalist takes tradition on an adventure
Scottish jazz rarity resurfaces
A well-crafted sound that plays it a little too safe
Damon Albarn's animated outfit featured dazzling visuals and constant guests
A meaningful reiteration and next step of their sonic journey
While some synth pop queens fade, the Swede seems to burn ever brighter
Raye’s moment has definitely arrived, and this is an inspirational album
Red Hot Chilli Pepper’s solo album is a great success that strays far from the day job