Gallery: Honoré Daumier and Paula Rego - a conversation across time

Baudelaire called him a “pictorial Balzac” and said he was the most important man “in the whole of modern art”, while Degas was only a little less effusive, claiming him as one of the three greatest draughtsman of the 19^th century, alongside Ingres and Delacroix.

Honoré Daumier has always been held in the highest esteem by fellow artists, both in his own time and today, with contemporary artists such as Peter Doig and Paula Rego keen admirers. But beside his technical skills, Daumier was also among the most socially alert and politically engaged artists of the 19^th century. A socialist and staunch republican in post-Napoleonic France, he lampooned the corrupt and the privileged and was a close ally and champion of the poor. His sense of deep kinship with the downtrodden was no doubt rooted in his own extremely humble origins. 

One of Daumier’s most scurrilous caricatures, a cartoon of King Louis-Philippe as Gargantua, appeared in the satirical magazine La Caricature in 1831. Depicting a monstrously fat King gulping down sacks of gold bought to him on the backs of exhausted labourers, it earned him a six-month prison sentence. Thereafter, he had to learn to pull his punches as new censorship laws came into force. But his keenly felt sense of injustice never left him.

Like Daumier, Rego is also known for depicting fantastical scenarios which are also acutely observed from life, and, in Rego's case, ones that throb with psychological tension and take their inspiration from literature, children's fiction and fairytales. Like him too, she is a brilliant storyteller with an exquisite and expressive line.

Her illustrative works are often produced in series, as Daumier’s was, and like him, Rego favours lithography, a printmaking technique invented at the turn of the 18^th century and conducive to drawing freely and directly on a flat, traditionally limestone, surface. In Daumier’s day it was an ideal medium for mass production, used by a rapidly expanding newspaper and advertising industry.

In an exhibition co-curated by Rego at the House of Illustration, we’re invited to explore a conversation in which themes, ideas and compositional devices speak to one another across time.

• Paula Rego/Honoré Daumier: Scandal, Gossip and Other Stories at House of Illustration until 22 March, 2015

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Daumier, The Crinoline in Winter, 1858

Rego, The Baker’s Wife, 1989

Daumier, In his nightmares, he is pursued by his victims, 1852

Rego, Him, Pendle Witches series, 1996

Daumier, In the manner of Henri IV, As You Like It series, 1852

Rego, Loving Bewick, Jane Eyre series, 2001

Daumier, A bit of comfort, Sketches of Expression series

Rego, Man and child, Captain Hook and the Lost Boy, Peter Pan series, 1992

Daumier, A Horsemeat Banquet, 1865

Rego, Scarecrow, 2006

Daumier, At a Usurers, 1865

Rego, Man lying down – Devotion, Wine Series, 2007