France
Blu-ray: Le Quai des BrumesTuesday, 21 October 2025
From its opening scene, Le Quai des Brumes (Port of Shadows,1938) feels like a reverie, a period of sustained waiting, during which the characters stand at a threshold knowing that a tragedy will occur if they cross it.As mist settles over a highway... Read more... |
London Film Festival 2025 - Bradley Cooper channels John Bishop, the Boss goes to Nebraska, and a French pandemicFriday, 17 October 2025
Is This Thing On? Bradley Cooper has previously directed A Star Is Born and Maestro, but they weren’t nearly as much fun as this. It’s a story of New Yorkers in the throes of mid-life crises, as Alex Novak (Will Arnett) separates from his wife... Read more... |
Lee Miller, Tate Britain review - an extraordinary career that remains an enigmaSaturday, 04 October 2025
Tate Britain’s Lee Miller retrospective begins with a soft focus picture of her by New York photographer Arnold Genthe dated 1927, when she was working as a fashion model. The image is so hazy that she appears as dreamlike and insubstantial as a... Read more... |
King & Conqueror, BBC One review - not many kicks in 1066Thursday, 28 August 2025
In this strangely dreary recreation of 11th century history, it’s not just grim oop north, it’s grim everywhere. King & Conqueror purports to be the story of how the Norman monarch William (the titular Conqueror) and England’s King Harold found... Read more... |
Blu-ray: Finis TerraeTuesday, 26 August 2025
British audiences of a certain age will note Finis Terrae’s similarity to Finisterre, one of the 31 sea areas listed in the BBC’s Shipping Forecast. Or previously listed – it was renamed Fitzroy in 2002 to avoid confusion with another Finisterre off... Read more... |
Hostage, Netflix review - entente not-too-cordialeSunday, 24 August 2025
Conceived and written by Matt Charman, whose CV includes an Oscar nomination for his work on Steven Spielberg’s film Bridge of Spies, Hostage is a rather puzzling mix of political thriller and domestic drama which can never decide whether it’s... Read more... |
Edinburgh Fringe 2025 reviews: Kinder / Shunga Alert / Clean Your Plate!Friday, 15 August 2025
Kinder, Underbelly, Cowgate ★★★ Drag artist Goody Prostate (yes, I know) receives a call from a local library. Garbed in lederhosen and sporting a preposterous German accent, she was expecting a brutal, no-prisoners-taking drag roast battle.... Read more... |
Beating Hearts review - kiss kiss, slam slamThursday, 14 August 2025
Andrew Garfield was 29 when he played the teenage Spiderman and Jennifer Grey was 27 when she took on a decade-younger-than-her character called “Baby” in Dirty Dancing. So you’d think that directors and casting experts could find actors to advance... Read more... |
The Kingdom review - coming of age as the body count risesSaturday, 09 August 2025
The acorn doesn’t fall far from the tree is the bitter message of The Kingdom. Director and co-writer Julien Colonna’s nerve-fraying drama about an adolescent girl’s sudden immersion in the brutal, uber-macho world of her father, a ruthless Corsican... Read more... |
The Count of Monte Cristo, U&Drama review - silly telly for the silly seasonTuesday, 05 August 2025
Alexandre Dumas’ novel has been filmed an immeasurable number of times (there was a new French version only last year) and televised even more frequently (a Mexican incarnation materialised in 2023). Yet the world still can’t get enough, so here’s... Read more... |
Kiefer / Van Gogh, Royal Academy review - a pairing of oppositesSaturday, 05 July 2025
When he was a callow youth of 18, German artist Anselm Keifer got a travel grant to follow in the footsteps of his idol, Vincent van Gogh. Some sixty years later, work by the two artists has been brought together at the Royal Academy in a show that... Read more... |
Edward Burra, Tate Britain review - watercolour made mainstreamWednesday, 18 June 2025
It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but Tate Britain’s retrospective of Edward Burra manages to achieve just this. I’ve always loved Burra’s limpid late landscapes. Layers of filmy watercolour... Read more... |
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