CD: Ed Sheeran - +

Is the posh rap-strummer more than a novelty act?

share this article

Ed Sheeran: terrifyingly precocious

When I lived in Brighton in the mid-Nineties, a certain type was 10 a penny. Young, stoned, middle-class buskers, acoustic guitar strummers who were au fait with hip hop and able to improvise endless streams of witty wordplay and often to make human beatbox rhythms. They tended to have an innate sense that what they were doing was a novelty act, though, and as if embarrassed about adopting the tropes of rap for their whimsical amusements they rarely pursued it as more than a cabaret act – although you can hear echoes of what they did in certain bands of the time such as Gomez.

Ed Sheeran is like a highly evolved version of those buskers. The terrifyingly precocious Suffolk 20-year-old is of a generation for whom liking hip hop can no longer be considered a cool affectation as it is so thoroughly woven into the fabric of UK youth culture, with British rappers regularly topping the charts. Thus he has adopted not only the fast lyrical flow but the furious ambition of the modern rapper, and has been gigging and hustling relentlessly since the age of 14 to get to the position he's now in.

Watch Ed Sheeran perform "You Need Me But I Don't Need You" on SBTV (and try not to cringe when he puts on a Jamaican accent at 4m 18s):

Sadly, the results are every bit as irritating as his precursors, without even the self-conscious admission that it's just a comedy act to mitigate its staggering smugness. There's no doubt that Sheeran is over-burdened with musical skill, but the whole thing smacks of being an exercise in demonstrating cleverness, a well-executed parlour game, his complete self-belief stripping it of anything so troubling as emotion or confusion. It is Radio 4 comedian music. It is also stripped of any of the guest spots from the bona fide rappers who helped him on his way to stardom and frequently made his records seem a lot more interesting than they really are. Shame, that. Still, he's young – maybe one day he will use his powers for good.

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.

rating

0

share this article

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

more new music

The quietly poetic singer-songwriter finds an impressive way to get louder
The last great bastion of regular international vinyl record reviewing
Third album from Poet Laureate Simon Armitage and friends is propelled by cosmic as well as worldly themes
With a line-up that includes Exodus and Carcass, a top-notch night of the heaviest metal
Leading Kurdish vocalist takes tradition on an adventure
Scottish jazz rarity resurfaces
A well-crafted sound that plays it a little too safe
Damon Albarn's animated outfit featured dazzling visuals and constant guests
A meaningful reiteration and next step of their sonic journey
While some synth pop queens fade, the Swede seems to burn ever brighter
Raye’s moment has definitely arrived, and this is an inspirational album