CD: Lonely Drifter Karen – Poles

Musical overhaul propels Belgium-based trio to unexpected heights

share this article

Lonely Drifter Karen's 'Poles': Tanja Frinta's beautiful voice is the focus

Poles is a significant step for Lonely Drifter Karen. For their third album, the pan-European trio have moved their trademark piano-led, torch song-influenced introspection into new territory. The graceful Poles is a pop album of the very highest calibre.

The shimmering harpsichord glissando that opens the album and “Three Colors Red” lays the table for a rhythmic, minor-key song which traces a path from Martha and the Muffins to the yearning pop of Rose Elinor Dougall. The Eighties are in there, so are John Barry and Lykke Li. As the album unfolds, Lonely Drifter Karen reveal a new fondness for French pop of the Sixties, south-east Asian melodies and north African rhythms. Synthesisers, programmed percussion and treated guitar crop up for the first time. Poles is seamless, every seemingly effortless song a perfect, melodic, atmospheric gem. But Tanja Frinta's beautiful, Karen Carpenter-esque voice is the focus.

Lonely Drifter Karen are exotic. Frinta was born in Austria and became Lonely Drifter Karen while performing solo in Sweden. After moving to Barcelona, she brought Spanish keyboard player Marc Meliá Sobrevias and Italian drummer Giorgio Menossi on board. A move to Brussels followed, along with the replacement of Menossi with French guitarist Clément Marion. The musical reinvigoration may be the result of the geographic shift, it may result from the new line-up. Whatever the reason, this is a landmark album. The year is still young, but Poles is one of 2012’s best.

Visit Kieron Tyler’s blog

Watch the video for “Three Colors Red” from Lonely Drifter Karen’s Poles



Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
The year is still young, but 'Poles' is one of 2012’s best

rating

4

share this article

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a great deal, and hope you do too.

To take a monthly subscription now simply click here.

Or
Why not take an annual subscription and save a third off our monthly price simply click here.

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time
Decades of psychedelia and wonder packed into a puzzling construction