New Music Reviews
Jamie Woon, Concorde 2, BrightonThursday, 09 June 2011
Jamie Woon is in the fresh first flush of success but it's been a good while coming. An unassuming 28-year-old with dark good looks, he first appeared five years ago with an extraordinary spooked take on the gospel perennial "Wayfaring Stranger" but then, on the recording front at least, he vanished. 2011, however, sees him busier than he's ever been and this tour is a preamble to the summer festival circuit. Read more... |
tUnE-yArDs, ScalaThursday, 09 June 2011
Sometimes you hear something new and your perspective on music shifts seismically, making everything you were listening to previously sound safe and predictable by comparison. Inevitably, as one gets older and more musically knowledgeable, such moments are fewer and further between; either the shock of the new isn’t as high-voltage as it used to be, or it just irritates rather than stimulates. And so it was a pleasant surprise when, one morning – heralded by a storm of tape hiss and an... Read more... |
David Gray, Royal Festival HallTuesday, 07 June 2011
How much did I like this show? Well, here’s a clue: at the end, the only really bad thing I could think of was that the bass guitar could have been a bit louder. I’ve seen David Gray on stage quite a few times now, and this was easily the most satisfying show, the one that did justice to his voice, his music, his songs, and especially his lyrics, which were, almost uniquely for such an event, audible and understandable almost word for word. Read more... |
Donovan, London Contemporary Orchestra, Royal Albert HallSaturday, 04 June 2011
A question passed through my mind before last night’s Donovan show. Special guests were billed for this celebration of his classic psychedelic album Sunshine Superman. Perhaps they'd include Jeff Beck or Jimmy Page, both of whom played on Donovan's records in the Sixties. Then, introducing “Sunshine Superman”, Donovan mentions the then-session player Jimmy Page, who walks on and joins in. Seeing Page reunited with his pre-Led Zeppelin, pre-Yardbirds session man self was incredible... Read more... |
Wolfmother, ForumThursday, 02 June 2011
Did Wolfmother spring from outer space, or drift down to Earth from the tail of a comet? Did they slip into our age from another dimension, burrowing through a wormhole in the space-time continuum to land in Sydney, Australia in the 21st century? Where did they come from? Never, except for tribute bands, have I witnessed a group performing in one era whose music owes so much to another. These hairy Australian rockers are steeped in the lore of late-Sixties psychedelia and early-... Read more... |
Fleet Foxes, Hammersmith ApolloWednesday, 01 June 2011
Music folklore has it that this band from Seattle changed their name from Pineapple back in the hazy days before their debut album went platinum because frontman Robin Pecknold thought Fleet Foxes sounded like a weird, outmoded English sport - a bit like fox hunting.
Read more...
|
Disappears, The BorderlineWednesday, 01 June 2011
Sometimes you stare at live bands and question why they bother. It’s a pact - the band plays, the audience looks on and claps. Last night’s debut British show by Chicago's Disappears raised that question. The night before, they’d played Amsterdam’s Paradiso and here they were at a venue in central London with an audience of 60 or 70. White-light intense, their conviction shone. This hypnotic show became a secret, even with the draw of Sonic Youth's drummer Steve Shelley in their line-up. But... Read more... |
Singles & Downloads 13Tuesday, 31 May 2011
At one level the day of the single is gone - the 7-inch, the CD, the physical format - and yet, at another it's more relevant than ever. Sure, any track can now be downloaded from an album and hit the charts but singles, downloads - chosen representative songs - still give the best snapshot of what an artist is capable of. With this in mind, theartsdesk gleefully tucked into the latest batch of releases which includes Depeche Mode, Arctic Monkeys, pop, rave, folk and a whole... Read more... |
Tessa Farmer, Danielle Arnaud Art Gallery/Crypt GallerySaturday, 28 May 2011
The world of artist and entomologist Tessa Farmer really is a world, wholly self-contained and free of human kind – unless you see her tiny warring fairies as symbolic of mankind’s conscience-free decimation of our planet’s environment and co-inhabitants. And it’s hard not to when you see them relentlessly picking over the corpse of a bird, mugging a mouse, or scrapping with a hornet, their tiny skeletal forms so industriously yet somehow amusingly destructive. Read more... |
Seasick Steve, Electric BallroomFriday, 27 May 2011
A guitar with one string? There is indeed such a thing. It’s played by Seasick Steve, and it consists of a stubby plank of wood, a pick-up and a couple of nails. And a string. The man born 70 years ago as Steven Wold plays it with a slide, and it makes a fabulous, sleazy sound. It’s one of a collection of manky-looking instruments played by Seasick Steve, the former hobo, drifter, session musician and studio engineer who has experienced a late blossoming in popularity as a bluesman and... Read more... |
Pages
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Album: Architects - The Sky, The Earth & All Between
Brighton metallers Architects have weathered through various tribulations in their almost twenty-year career. Formed by twins Dan and Tom Searle,...
Jopy/Lemonsuckr/King of May, Green Door Store, Brighton revi...
There’s something exhilarating about seeing bands right at the very, very dawn of their careers. Will they be headlining the Houston Astrodome in...
Gromes, Hallé, Chauhan, Bridgewater Hall, Manchester review...
A cello concerto received its UK premiere in Manchester last night – almost 100 years after it was written. It’s by Maria Herz, a German-Jewish...
Bergerac, U&Drama review - the Jersey 'tec is born...
They stopped making the BBC’s original Bergerac in 1991, so you can hardly complain that this reboot is premature. John Nettles became...
A Knock on the Roof, Royal Court review - poignant account o...
The war in Gaza has been going since 7 October 2023 – that’s about 15 months. But it’s strangely absent from British stages...
The Last Showgirl review - Pamela Anderson stars as a middle...
Shelly (Pamela Anderson) is a dancer. She’s been with Le Razzle Dazzle, an outdated Las Vegas show that’s full of “breasts, rhinestones and joy”,...
The Score, Theatre Royal Haymarket review - curious beast of...
Why is it so hard to write a decent play about Bach? Maybe, in part, because there are no words...
Album: Abel Selaocoe - Hymns of Bantu
The musician Abel Selaocoe reaches out to the ancestors, African and European, continuing a journey that spans continents and centuries, an...
The Ferryman, Gaiety Theatre, Dublin review - Jez Butterwort...
Dublin theatregoers have been inundated with Irish family gatherings concealing secrets or half-buried sorrows, mixing “bog gothic” with very real...