Public Service Broadcasting, Caerphilly Castle review - rising to the occasion

Archive rockers bring a special show to a unique venue

share this article

Caerphilly Castle proved to be a star of the show
Owen Richards

Among the summer gigs being held in Caerphilly this summer, it seemed a tall order for electronic/math rock instrumentalists Public Service Broadcasting to pack out a castle. They may be more current, but the others (The Stranglers, Groove Armada, The Zutons et al) at least had notable commercial periods. PSB’s biggest singles have never troubled the UK Top 75. And though a £40 ticket price on the door seemed optimistic, the castle’s savvy booking became clear as we passed through those ancient gates. A large courtyard, very much packed.

After three albums and several EPs, PSB have crafted quite a formidable live set. Each release is themed around a different time period and relating archive audio, including the Titanic, the space race, and suitably for the night’s show, the Welsh mining industry. Not your standard indie fare. But they capture the imagination and are effectively woven into the music. How many other gigs teach you about scaling Everest, or a rocket’s launch sequence?Public Service Broadcasting at Caerphilly CastleThough hailing from London, the band have a special affinity for South Wales after their third album Every Valley. It makes any gig in the area a special occasion. Richard Burton’s voice rings out over the titular opener, and at one point a French horn rouses the crowd into a spontaneous Calon Lan. Frontman J Willgoose, Esq is rarely seen speaking on stage, instead triggering pre-recorded announcements, but even he was compelled into thanking the area for their support. The reaction would indicate it’s a reciprocal relationship.

However, the cheers were not based on goodwill alone. The band put on a hell of a show. Early hit “Spitfire” was raucous and rifftastic, before squealing into the protest doom rock of “All Out”. If you ever wondered what Pete Townshend would’ve done with a saxophone, or Hendrix with a trombone, funk soul instrumental “Gagarin” provided the answers, backed by two dancing astronauts for good measure. Though the band’s permanent members are mostly static, they’ve built an entertaining show around them.Public Service Broadcasting at Caerphilly CastleThough most of the vocals are provided by way of archive films, there were a few guest stars for the evening. Derbyshire trio Haiku Salut made an appearance for “They Gave Me a Lamp”, and Welsh Music Prize-winner Georgia Ruth was an excellent stand-in for 9Bach’s Lisa Jên Brown on duet “You + Me”. Perhaps the highlight of the evening, though, was the Beaufort Male Choir, brought on to end the show in a stunning tribute of Welsh music history.

Though Caerphilly Castle seemed a tall order, it was the perfect setting for a night of historical reverence and musical wonder. The set’s quiet moments were punctuated by occasional drunken chatter, but that’s par for the course at an outdoor event. It was a perfect send-off for the band before they move on from these valleys and focus on the next album’s subject.

@OwenRichards91

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
The band put on a hell of a show

rating

5

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 31st August this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

The welcome return of a foundational album of electronic minimalism
Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time