Founder rate ends 9th September.

We’re rebuilding theartsdesk to secure the future of real arts journalism. Be part of it by subscribing: if you do it now, the founders’ rate of just £40 yearly is yours FOR LIFE!

SUBSCRIBE NOW 

The Kooks, O2 Academy, Birmingham

Crowd-pleasing set from the unchallenging Brighton band

share this article

The Kooks - sticking to the middle of the road

Brighton’s guitar pop outfit, the Kooks have been churning out largely pleasant but fairly bland songs since their 2006 debut Inside In/Inside Out. Recent album Listen, however, has suggested that things might be changing. Less evident, but not entirely banished, are the unremarkable strum-alongs, with a rawer and funkier groove edging its way into a few of their tunes with some success. Similarly gone is the poodle hair and clothes that made them look like the Verve’s younger, more clean-cut cousins. When the band bounce onto the stage at Birmingham’s O2 Academy, they look like they’ve just been kitted out by a stylist.

The Kooks hit the ground running and tore straight into Listen’s opening track, “Around Town”, with its almost funky drummer-like sound. The packed crowd immediately went bonkers – alternately bouncing around energetically or thrusting their mobile phones into the air like a field of electric sunflowers. This was immediately followed by the raw, Vaccines-like “See the world”, announced by a screech of feedback which suggested that the band’s middle of the road past might have been quietly exorcised. Unfortunately, it was not to be.

For every blast of something with a bit of grit and spirit there were plenty of plodding sing-alongs

For every blast of something with a bit of grit and spirit, like new tunes “Bad Habit” and “Down” with its gnarly guitar solo, there were plenty of plodding sing-alongs like “Seaside” and “Dreams”. In particular, we were treated to “Westside” – a song which is the very antithesis of all that we’ve come to expect from rock ‘n’ roll since Elvis Presley first strapped on a guitar. In fact, its refrain of “We can settle down, we’ll start a family” suggests that light entertainment might be what the Kooks are really about because it certainly isn’t youthful rebellion. The well-mannered pleasantness of the band was also evident when “She moves in her own way” ground to a halt half-way through, so that singer Luke Pritchard could give a couple of brawlers in the audience a polite ticking off. The band then picked up exactly where they’d left off to a hearty crowd sing-along.

The Kooks’ played a set that was almost exclusively made up of tunes from Inside In/Inside Out and Listen – closing with an energetic “Forgive and Forget”. In fact, the band barely played anything at all from 2008’s Konk and 2011’s Junk of the Heart. “Junk of the Heart (happy)”, however, did make an appearance between the dreary “See me now” and the band’s signature tune “Naïve” for a sickly-sweet encore of over-done mawkishness – which was played to a twinkling sea of mobile phone lights.

On tonight’s evidence, it doesn’t look like the Kooks are going to be budging from the middle of the road anytime soon.

Light entertainment might be what the Kooks are really about because it certainly isn’t youthful rebellion

rating

2

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 9th September this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

Northern indie four-piece offer a vim-laden snapshot of disenfranchised Britain
Ladysmith Black Mambazo and Laura Mvula shine
Garage, French House and feeling collide in latest release
A creative, inclusive, endlessly imaginative festival for families
Prolific Aussie psychedelicists marry dance and prog sounds
A soaring fusion of atmospheric melancholy and energetic punk
A breathless half-hour takes in screaming, stop-start song structures and the odd hint of reflectiveness
The American singer's eighth album is rife with downtempo ruminations on love