Josienne Clarke & Ben Walker, Green Note, Camden

Fire & Fortune duo deliver slow-burning new folk and old classics

share this article

Settling in: English folk duo Josienne Clarke & Ben Walker

The Green Note had put up a Sold Out sign on Monday night when Josienne Clarke and Ben Walker stepped in to play a sometimes mesmerising set on the little stage by the door. It’s a great venue that a lot of big artists have stepped inside to test their real stature, and Clarke and Walker have a future that could see them grow their audience in the way that some of their heroes - Sandy Denny, Richard and Linda Thompson, Nick Drake, Bert Jansch, June Tabor – have done with three simple but rare ingredients: a compelling voice, dextrous guitar work and great songs.

There were a few Sandy Denny classics among the duo’s set – "Fotheringay" and "Who Knows Where the Time Goes?" among them – and while Clarke’s voice doesn’t spill and overflow in the thrilling way Denny’s does, she takes them inward and to a different place. Hers feels more like a voice of shadows than brilliant lights.

A take on 'The First Time I Ever Saw Your Face' could make an X Factor judge blub

The first half is a little shaky, with the between-song introductions focusing distressingly on indifferent reviews in regional publications. There should be a St-Elmo's-Firewall between artist and review sheet; if not it risks going all Alan Partridge. But there were strong versions of two of the traditional English folk songs from their album Fire and Fortune (Proper) – "My Love is a Red Red Rose" and "Green Grow the Laurel", and a take on Ewan MacColl's "The First Time I Ever Saw Your Face" that could make an X Factor judge blub like a child.

Theirs are strong original songs too, with lyrics sporting wit, complexity and a few shafts of emotional darkness. Add to the mix an Argentine tune, and top it off with a Buck Owens song, and you have a recipe for an acoustic duo that's going to bear some good fruit.

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
Theirs are strong original songs too, with lyrics sporting wit, complexity and a few shafts of emotional darkness

rating

3

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 31st August this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time
Decades of psychedelia and wonder packed into a puzzling construction