Irresistible invitation to a very Mackem 'Christmas' from The Futureheads

Strange for something so individual to sound so familiar - but they've done it

share this article

The Futureheads 'Christmas' LP sleeve
The Futureheads 'Christmas' LP sleeve (© Nul Records)

Well, this is a surprise. Not so much that the Sunderland band should do a Christmas album, mind. Despite their raw and spiky hardcore framework, which channelled heavyweights like Gang Of Four and Fugazi, they were always capable of being gentle, dreamlike, flirting with but never tipping over into the whimsical, as on their huge breakthrough cover of Kate Bush’s “Hounds of Love”. And maybe even more relevantly, their harmony singing bordered on the choral from the start, something made explicit on their a capella reworking folk songs and their own work on their 2012 Rant album.

No, it’s not a surprise that they’d do this, or do it well. But it to be this good? For the pacing, the fit of the arrangements to the songs, the ability to do the unexpected with a twinkle in the eye without being arch – everything – to be so bang on that it feels like you’ve known the album for a long time on first listen? That really is a turn up for the books. The opening “Carol of the Bells” sets the tone very precisely, played and sung with great respect but entirely as The Futureheads; “Don’t Stop the Cavalry” ties things back to their postpunk inspirations – and from there on in, the mix of carols, seasonal hits and curveballs, rounding off with two of their own compositions feels like one coherent whole.

In fact, this easy blend reminds us how much Lewie, Macca, Sinatra and of course The Pretenders have to all intents and purposes made secular carols – and even the jumpy, wordy “What’s This?” from The Nightmare Before Christmas is a nod to how much film musicals on TV are etched into the rituals of the season now. The indie-ness of it all, which could so easily have made into kooky “6 Music Dad stocking filler” material, is transcended – as the band always has done, in fact – by their stunning playing, understanding of one another’s voices, and clear relish in what they’re doing. It’s a fantastic signal that the band are not just outstanding among their 00s post punk revival peers, but are, frankly, national treasures.

@joemuggs.bsky.social

Listen to "The Coldest Winter for a Hundred Years":

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
It reminds us how much Lewie, Macca, Sinatra and of course The Pretenders have to all intents and purposes made secular carols

rating

5

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a great deal, and hope you do too.

To take a monthly subscription now simply click here.

Or
Why not take an annual subscription and save a third off our monthly price simply click here.

more new music

A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time
Decades of psychedelia and wonder packed into a puzzling construction
Neo-folk songs that are woozy and atmospheric but thoroughly engaging
An eardrum damaging evening spent with Birmingham’s Sunn O))) worshippers
Trio with Gene Calderazzo and Alec Dankworth is a jewel of British jazz
Madonna and Stuart Price concoct a set that's bangin' and occasionally affecting