Founder rate ends 9th September.

We’re rebuilding theartsdesk to secure the future of real arts journalism. Be part of it by subscribing: if you do it now, the founders’ rate of just £40 yearly is yours FOR LIFE!

SUBSCRIBE NOW 

CD: Jon Hopkins - Singularity

Dazzling rollercoaster of an inner journey

share this article

Man's place within infinity

Jon Hopkins navigates the territory between avant-garde electronic and beat-driven dance music with brilliance. There’s plenty here to make you want to get up and move, but as much to persuade you lie down and let the symphony of textures and timbres open you ears and take you on an inner adventure.

Hopkins claims that his 2013 album “Immunity” was an MDMA trip, while this new one evokes the rollercoaster of an out-and-out psychedelic experience. Hardly surprising then that this isn’t a party album, and even less background music. While there are moments of irresistible sweetness and stillness, there are also excursions way out of the comfort zone – indeed much as might happen with acid or the more natural mind-blast of mushrooms. As Hopkins suggests, there’s a lot to be said for listening to “Singularity” in one uninterrupted go. He’s classically-trained, and the structure of the piece is something like a suite of dances in different tempos and moods, with at times smooth and almost imperceptible transitions and abrupt transformations at others. There are thick swathes of roaring bass that tear into your viscera, and moments of such stillness that you can hardly believe them.

Transformation is what it’s all about – this is a healing trip of sorts, inspired by Hopkins own spiritual journeys over the last few years: time in the desert, Tibetan Tummo breathing techniques that produce a kind of inner fire, and a great deal of meditation. As during a chemically-induced trip, forms are in endless metamorphosis, and Hopkins’ command of the versatile and highly sophisticated software that is Ableton enables him to move seamlessly from one music texture to another, from electronic to human voice, from high-pitched shimmer to ecstatic angelic drone. The listener’s reference points are endlessly called into question as Hopkins breaks your expectations, with asymmetrical polyrhythms and key changes that go against the grain, all to resolve in the same calming stillness that launches the album, but now with echo-laden piano, an evocation of peace and redemption, beautifully combined with the distant night-time eeriness of a gently hooting Scop’s owl.

Transformation is what it’s all about – this is a healing trip of sorts

rating

5

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 9th September this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

Two decades on from Patti Smith and the original pink sheep, the anniversary edition proved again that Latitude's real headliners are rarely at the top of the bill
From Korean bluegrass to gigantic Ugandan xylophones, the global diversity of musical life is here
A championing, but also perhaps a dilution, of South African innovation
The return of a punk-era landmark of British art rock
With a danceable rock feel she displays her burgeoning creativity
The garage rockers don't do themselves justice on new album
Andy Dragazis’ musical alter-ego offers nods to legendary arranger and producer Charles Stepney
The welcome return of a foundational album of electronic minimalism