CD: Ian Brown - Ripples

King Monkey makes a fine return to the fray

share this article

Ripples: a return to form

Ripples may be Ian Brown’s first album in nine years but it gives absolutely no impression of a man grasping at straws to resurrect his career after the non-event that was the Stone Roses’ 2011 reunion. Baggy grooves, dancehall reggae vibes and socially conscious lyrics mark King Monkey’s latest solo set, all delivered with characteristic swagger. In fact, such is Brown’s confidence that he hasn’t just sung on Ripples but produced, created the artwork, played guitar, drums and various other instruments, and pulled in his sons to contribute both their musical and song-writing talents.

Lead single “First World Problems” has already received plenty of radio play and delivers a dancefloor-friendly stomper, while Brown takes on Westerners with comfortable lives who spend all their time moaning about their lot. In fact, righteous and radical calls for global peace, love and unity take centre stage throughout, with Brown making it clear exactly where he stands, variously proclaiming that “Some don’t realise the rich man’s trickery” and “Government is not your friend.”

As well as laying down his own tunes, Brown also takes a stab at a couple of reggae landmarks. Barrington Levy’s dancehall classic “Black Roses” is transformed into a cracking up-beat groove, that will have plenty of hips shacking, while a more faithful cover of the Clash’s mate, Mikey Dread’s dubby call to stand up and unite against Babylon, “Break Down the Walls”, is delivered with a Manchester-via-Kingston accent that doesn’t jar in the way that that may suggest.

Ripples isn’t without a bit of filler and “Breathe and Breathe Easy” is a clunker with novice guitar and heavy-handed hippy mysticism, while “From Chaos to Harmony” and “It’s Raining Diamonds” are sub-Oasis plodders. Given the unexpected quality on show elsewhere though, it’s not a great price to pay for the return of one of Madchester’s undeniable musical giants.

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
Baggy grooves, dancehall reggae vibes and socially conscious lyrics mark King Monkey’s latest solo set

rating

3

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

more new music

With a line-up that includes Exodus and Carcass, a top-notch night of the heaviest metal
Leading Kurdish vocalist takes tradition on an adventure
Scottish jazz rarity resurfaces
A well-crafted sound that plays it a little too safe
Damon Albarn's animated outfit featured dazzling visuals and constant guests
A meaningful reiteration and next step of their sonic journey
While some synth pop queens fade, the Swede seems to burn ever brighter
Raye’s moment has definitely arrived, and this is an inspirational album
Red Hot Chilli Pepper’s solo album is a great success that strays far from the day job
The youthful grandaddies of K-pop are as cyborg-slick as ever