CD: Cécile McLorin Salvant - Dreams and Daggers

The vocalist and songwriter delivers one of the great live jazz albums

share this article

Multifariously beautiful: vocalist and songwriter Cécile McLorin Salvant

With her third recording for Mack Avenue, Grammy Award-winning vocalist and songwriter Cécile McLorin Salvant has delivered a vocal jazz album for the ages. A 2CD set recorded live at NYC’s renowned Village Vanguard, the fascinating track list juxtaposes jazz standards, vaudeville songs, blues and more. A number of studio recorded originals sprinkled throughout, featuring the exquisite playing of the Catalyst Quartet, offer an intriguing commentary on the live material.

Having immersed herself in early jazz and blues, it’s no surprise to see McLorin Salvant dusting down the glorious “You’ve Got To Give Me Some”, a song associated with one of her touchstones, Bessie Smith, the lyrics of which would make the Carry On scriptwriters blush.

The singer’s ability to completely reinvent evergreens is equally pronounced, as evidenced by a brace of classics penned by nonagenarian singer-songwriter Bob Dorough, “Devil May Care” and “Nothing Like You” (the latter co-written with Fran Landesman), as well as fearlessly virtuosic takes on “The Best Thing For You (Would Be Me)” and “I Didn’t Know What Time It Was”. With music by Kurt Weill and lyrics by Langston Hughes, “Somehow I Never Could Believe” from the opera Street Scene, heard here as an almost 10-minute mini-suite, is a revelation.

In pianist Aaron Diehl, bassist and arranger Paul Sikivie, and drummer Lawrence Leathers, McLorin Salvant has surrounded herself with an exceptional and inventive trio, forging a musical bond that is so close it allows her to inhabit her repertoire completely and take the music in any direction she pleases. The sensitivity to dynamics, in particular, on songs such as “Never Will I Marry”, where the band suddenly flips from a whisper to a roar, can take the breath away.

But it’s McLorin Salvant’s captivating timbre and the way in which she ornaments the melodic line in such multifariously beautiful ways that elevates this to greatness.

@MrPeterQuinn

Watch a clip of Cécile McLorin Salvant performing "You're My Thrill"

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
The sensitivity to dynamics, where the band suddenly flips from a whisper to a roar, can take the breath away

rating

5

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 31st August this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

The welcome return of a foundational album of electronic minimalism
Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time