CD: Bosco Rogers - Post Exotic

Anglo-French duo’s debut is a psychedelic guitar pop masterpiece

share this article

Post Exotic: raucous psychedelia from the power pop end of the street

Anyone looking for some psychedelic pop to at least give the illusion that we might now actually be in the middle of summer could do much worse than try out the debut album by Anglo-French duo Bosco Rogers. Their 21st century twist on the Monkees’ good grooves is just what the doctor ordered, and Barth Corbelet and Del Vargas’s sun-drenched harmonies and catchy, fuzzy guitars are guaranteed to generate big smiles and some serious rump-shaking from even the most unconfident of dancers.

Post Exotic comes straight out of the traps with a bucket load of swagger and the knowing smirk of “Anvers”. “I think I’d better take my soul and sell it to the cops for a pot of gold” they croon to an uplifting B-52s-esque wig-out, and all is good with the world. “Beach! Beach! Beach!” lays down some groovy organ and surf guitar sounds that point emphatically to the dance floor, while “Drinking for Two” comes on like Arthur Lee’s Love with their dancing shoes on. This self-produced cracker is no retro hoedown though, and Bosco Rogers’ kaleidoscopic vision is firmly rooted in the here and now. The anthemic new single, “True Romance”, even offers a knowing commentary on the pursuit of hedonism in a world that can look somewhat bleak – and what could be more current yet timeless than that?

As Barth Corbelet says, “I think the trick is to be aware of the world, but not get dragged down by the darkness that surrounds us. We prefer life.”  Post Exotic is certainly a sonic endorsement of that philosophy, and comes fully recommended to anyone who likes raucous psychedelia from the power pop end of the street.

 

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
Their sun-drenched harmonies and catchy, fuzzy guitars are guaranteed to generate big smiles and some serious rump-shaking

rating

5

share this article

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a great deal, and hope you do too.

To take a monthly subscription now simply click here.

Or
Why not take an annual subscription and save a third off our monthly price simply click here.

more new music

Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time
Decades of psychedelia and wonder packed into a puzzling construction
Neo-folk songs that are woozy and atmospheric but thoroughly engaging
An eardrum damaging evening spent with Birmingham’s Sunn O))) worshippers
Trio with Gene Calderazzo and Alec Dankworth is a jewel of British jazz
Madonna and Stuart Price concoct a set that's bangin' and occasionally affecting
Boundaries not broken, but extraordinary interlocked playing, on the quintet's fourth album
The follow-up to comeback album 'Hackney Diamonds' is a raucous, joyful late-period classic
US freak-rockers exhume their final album of supreme bizarreness