Founder rate ends 9th September.

We’re rebuilding theartsdesk to secure the future of real arts journalism. Be part of it by subscribing: if you do it now, the founders’ rate of just £40 yearly is yours FOR LIFE!

SUBSCRIBE NOW 

Albums of the Year 2017: Susanne Sundfør - Music For People in Trouble

Norwegian chart-topper attains her apotheosis

share this article

Susanne Sundfør’s ‘Music for People in Trouble’: a twin-track experience

At two minutes and 39 seconds, Music For People in Trouble’s “Good Luck Bad Luck” executes an abrupt shift. An examination of whether a liaison would end up as “an empty cup” suddenly stops and the sound of a smoky jazz combo takes over with a melody bearing no relation to what preceded it. The composition unexpectedly passes into entirely different territory after Norway's Susanne Sundfør had been singing to her piano accompaniment, .

“Good Luck Bad Luck” was, in part, inspired by Elizabeth Strout’s short story The Piano Player and the music forming the surprising coda conceptualises what might have been heard in the bar in which the story’s protagonist plays the piano.

Susanne Sundfør 2017Similarly, the album’s “The Sound of War” comes in two parts: the first a sparse disquisition in which Sundfør finger-picks an acoustic guitar; the second a lengthy marriage of shape-shifting electronica and a wordless vocal with a sepulchral melody signifying the sound of war itself.

Music For People in Trouble is a collection of songs but goes further by soundtracking the content of the songs themselves. Sundfør’s fifth album is a twin-track experience asking the listener to pay attention to the mood and substance of each song. On one hand, it is about her startling, malleable voice, the gorgeous melodies and the words sung. On the other, it is about what frames these songs: a manifestation of the experiences which have helped create them.

What's drawn from is a period of travel throughout the globe’s edgiest regions. As well as this commentary on the state of the world. personal relations are pivotal too. The profoundly haunting album closer “Mountaineers” examines environmental disaster while the subject matter of “No One Believes in Love Anymore” is explicit.

Though certainly a work of art, Music For People in Trouble is wonderfully approachable. At its heart, the album is about beautiful, heart-rending melodies. The Gram Parsons-influenced ballad “Undercover” is pop at its most eloquent.

Two More Essential Albums from 2017

Foxygen - Hang

Sumie - Lost in Light

Gigs of the Year

Žen, Kultuuriklubi Kelm, Tallinn, 1 April; Susanne Sundfør, Norwegian Wood festival, Oslo, 15 June; Mercury Rev & The Royal Northern Sinfonia, Barbican, 14 July; Karpov Not Kasparov, Kablys, Vilnius, 8 September

Track of the Year

Mammút – “Breathe Into Me”

Overleaf: watch Susanne Sundfør perform “Undercover”

‘Music For People in Trouble’ is a work of art but it is not difficult

rating

5

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 9th September this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

The genre-crossing musician brings a New Age sheen to his solo piano tribute
The London trio add toilet bowls and ugly crying to the hedonistic glamour
New York band’s blend of folk rock and psychedelia grabs attention
Northern indie four-piece offer a vim-laden snapshot of disenfranchised Britain
Ladysmith Black Mambazo and Laura Mvula shine
Garage, French House and feeling collide in latest release
A creative, inclusive, endlessly imaginative festival for families
Prolific Aussie psychedelicists marry dance and prog sounds
A soaring fusion of atmospheric melancholy and energetic punk