Founder rate ends 9th September.

We’re rebuilding theartsdesk to secure the future of real arts journalism. Be part of it by subscribing: if you do it now, the founders’ rate of just £40 yearly is yours FOR LIFE!

SUBSCRIBE NOW 

Album: Young Thug - Punk

Different eras of Young Thug come together nicely on long-awaited new album

share this article

'Another great addition to this iconoclastic artist's catalogue'

From underground curiosity to cult icon, now label head and superstar, Atlanta’s Young Thug has continued to reinvent himself, as well as rap at large, for the better part of a decade. After being announced over two years ago, his new album Punk is finally here.

It’s an album which sounds like previous Young Thug eras in conversation with each other. There are weird and heavy beats which could be taken straight from 2019’s So Much Fun, but mostly there are sombre plucked guitars, reminiscent of 2017’s Beautiful Thugger Girls. It’s enjoyable but, unlike Thug himself, kind of predictable.  

This isn’t the first Thug project to rely heavily on guitar. Beautiful Thugger Girls famously merged country twangs and finger-picked guitars with rap (paving the way for “Old Town Road”, I might add). He continues to experiment here to mixed results. The guitar on songs like “Livin It Up” and “Stupid” have a pretty basic campfire quality to them. It’s more effective in creating atmosphere on songs like “Recognize Real”, which lacks drums, instead suspending Gunna and Thugger over a simple guitar and ghostly sample for three minutes.

The most interesting instrument here is Young Thug’s voice, an instrument he has used unlike any artist. There are countless rappers who use a similar melodic flow, but none that can so effortlessly find hidden melodies in every beat. Songs like “Dropping Jewels” and “Fifth Day Dead” don’t need guest verses – it’s enough to just hear Thug do what he does best. Punk feel like watching a compilation of Simone Biles land a routine perfectly time and time again – after a while you forget that what you’re seeing could not be done by anybody else.

Songs like “Bubbly” and “Scoliosis” really liven up the track listing, though – and at times that feels needed. Especially with songs like “Livin It Up” and “Love You More” that feature downright cheesy choruses courtesy of Post Malone and Nathan Ruess.

The album flows surprisingly well, though, and has enough charm to keep you coming back. This might not be the best Thugger album but it’s another great addition to this iconoclastic artist's catalogue.

There are countless rappers who use a similar melodic flow, but none that can so effortlessly find hidden melodies in every beat

rating

3

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 9th September this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

A championing, but also perhaps a dilution, of South African innovation
The return of a punk-era landmark of British art rock
With a danceable rock feel she displays her burgeoning creativity
The garage rockers don't do themselves justice on new album
Andy Dragazis’ musical alter-ego offers nods to legendary arranger and producer Charles Stepney
The welcome return of a foundational album of electronic minimalism
Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat