Album: The Stranglers - Dark Matters

Eighteenth album from punk crossover originals combines the elegiac with the punchy

share this article

A statuesque conclusion

Following the death last year from COVID-19 of keyboard player Dave Greenfield, it appears the The Stranglers’ five decade journey may finally be drawing to a close. They bucked all odds by maintaining a path after singer Hugh Cornwall left in 1990, and the last two decades, especially, have seen them hold steady, both as a live draw and with critically respected albums. Dark Matters, their eighteenth, is a decently wrought, sometimes elegiac conclusion to a career that’s taken them from pre-punk to post-everything.

Eight of the 11 songs were recorded before Greenfield’s death but the single “If You Should See Dave…” is a sweetly melancholy tribute, grounded in mellow, pastoral psyche-pop of the type the band have made their own when not returning to their Seventies punk roots. The final segment where the band's last original mainstay, JJ Burnel, announces, “This is where your solo would go,” before bars of blank strumming, is especially poignant.

There are a couple of other well-calibrated slowies - the gentle acoustic “Lines”, about ageing, and the haunted but hopeful, piano-led “Down” – but much of the album sees The Stranglers in punchy, rockin’ form, often musing on lost love, as on “This Song”, while the closing “White Stallion” and “Breathe” have a triumphant air, the latter an air-pumping, bombastic, stadium-styled slowie that sings of fighting “to the bitter end”. Along the way are other catchy cuts with Greenfield’s keys displayed to good effect, notably the contagious, quirky “If Something’s Gonna Kill Me (It Might As Well Be Love)” (“You wake up one morning and the world has changed/It’s war and the Martians have arrived”) and “No Man’s Land”, which sounds like a more punky, aggressive Madness.

Over the decades The Stranglers have created music that’s as good as anything in the pop/rock canon (“Golden Brown” is surely a standard by now, and songs don’t come much better than “Hanging Around”!). They have built their own cult following, blending punk’s snarl with something of The Doors’ Baroque psychedelia. If this is their end point, it’s a decent farewell rather than a fizzle-out, peppered with a few songs that fans may find themselves returning to again and again.

Below: Watch The Stranglers performing an acoustic version of "If Something's Gonna Kill Me (It Might as Well be Love)"

Add comment

The content of this field is kept private and will not be shown publicly.
If this is their end point, it’s a decent farewell rather than a fizzle-out

rating

3

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more new music

Tenderness, and terror, outshine majesty in Elgar's journey of the soul
Brilliant trio seamlessly combine composition and improvisation
One Direction alumnus draws on many sources of inspiration, not least his Asian heritage
Attention-grabbing but belated testament to obscure Seventies hard rockers
A fine new set from the 'Stay with me Til Dawn' singer
A seventh album from the Angelino folk duo
Check our reviews of 28 Records Store Day exclusives
Canadian DJ, producer, remixer and label head returns with an order to dance
From the pacific to the pulverising, jazz-adjacent trio carve-out their own musical character
When a narrative becomes more complicated than the one delineated by the hit singles