Album: FKA Twigs - Eusexua | reviews, news & interviews
Album: FKA Twigs - Eusexua
Album: FKA Twigs - Eusexua
A transformative electronic journey across diverse sonic and emotional landscapes
It would be really easy to get hung up on the definition for this album. Is it a new sexuality term? A holiday genre of technopop? A planet that will align with the others on January 29th?
English singer Tahliah Debrett Barnett, aka FKA Twig, describes via X, that "eusexua is a practice, eusexua is a state of being, eusexua is the pinnacle of human experience".
Conceptually, this is certainly an album that seeks a transcendental state of purity and perfection, through almost psychedelic experimentation in electronica, pop and progressive house via tinkling, abstract vocals and a mellifluous merge of forms.
The title track sets the tone of surreal ambiguity with the lyrics: “Words cannot describe baby, This feeling deep inside” and goes on to describe “I’m vertical sunrise, Like flying capsized”. Cue quizzical face as I nod along to the tantalising, insistent beat and get drawn into the soaring sheeny melodies, starting to buy into the idea of music that can, ayahuasca-like, incite a state of being.
The album flows through various electronic landscapes: “Girl Feels Good” struts around nostalgic dance floors; grows comfortably into the tangible frisson of presence in “Perfect Stranger” and echoing beats reverberate in “Keep It, Hold It”. Innovation begins to flourish in the glitchy trip, “Drums of Death” ending with the ominous line: “Crash the system diva doll, serve violence”. Avante garde merges with ethereality in “Room of Fools” before the Japanese infused quirks of “Childlike Things” and mellow nursery rhyme riffs of “24hr Dog”. The album finds balance in more stripped-back tracks like “Wanderlust”, “Sticky” and “Striptease”, where Twigs’s vocal strength and emotionally contemplative beauty shine.
It’s this ability to hold both futuristic experimentation and vulnerable authenticity that cements Twigs as one of contemporary popular music’s most innovative artists, creating an experience that, while perhaps indefinable, is undeniably transformative.
rating
Explore topics
Share this article
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
Add comment