Founder rate ends 9th September.

We’re rebuilding theartsdesk to secure the future of real arts journalism. Be part of it by subscribing: if you do it now, the founders’ rate of just £40 yearly is yours FOR LIFE!

SUBSCRIBE NOW 

Album: Ellie Goulding - Brightest Blue

Stunning production craft rescues Ellie Goulding from the formulaic

share this article

Ellie Goulding

Everything Ellie Goulding touches turns to pop gold: her first three albums were big hits. She is yet another of those miracles bred in the British provinces, in this case a Herefordshire village. Inspired no doubt by a string of power-women from Madonna to Beyoncé, Shakira to Joss Stone, Goulding mixes and matches a variety of styles in a manner that exploits familiarity with just enough freshness to make it sound new.

The girl-wonder has matured a little: in a recent interview she spoke of having freed herself from the ubiquitous sexual pressures of a male-dominated industry. But her emerging self-possession and confidence hasn’t eliminated the vulnerability essential to her appeal. Her slightly breathless voice suggests the promise of excitement and romance. There’s no bedsit introspection here, though, but rather, a girlish innocence combined with the joy of breaking loose: she's above all a very gifted and dedicated performer: her self-penned songs pieces of power-packed entertainment. 

The production mostly by Joe Kearns, is impressive: a cunning mix of electronic artifice and light instrumental touches. The hooks and earworms roll through with a precision that’s designed for maximum appeal. Echo and reverb are wheeled in to add texture and drama, and Goulding and supporting voices subject to now almost clichéd Vocorder distortion. 

The album is “double-sided”, a bit of a gimmick, except here Side B features collaborations with blackbear, Lauv, Diplo, Swae Lee and Juice WRLD, while Side A's mostly her own vocals. The best track on the album is undoubtedly “Slow Grenade”:  one of those goose pimple-inducing hits, shimmering with the excitement its title announces, with Lauv‘s silken-soft voice the perfect match for her own. The rest, in comparison, inevitably pales a little. Artifice rooted in synth pop, dancehall, R & B, and other ear-catching genres lacks the soul of sisters rooted in gospel or the confessional intimacy of folk-inspired singer-songwriters, but the frequent thrill of the savvy mix that Ellie Goulding surfs cannot be denied.

The thrill of the savvy mix that Ellie Goulding surfs cannot be denied

rating

4

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 9th September this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

The genre-crossing musician brings a New Age sheen to his solo piano tribute
The London trio add toilet bowls and ugly crying to the hedonistic glamour
New York band’s blend of folk rock and psychedelia grabs attention
Northern indie four-piece offer a vim-laden snapshot of disenfranchised Britain
Ladysmith Black Mambazo and Laura Mvula shine
Garage, French House and feeling collide in latest release
A creative, inclusive, endlessly imaginative festival for families
Prolific Aussie psychedelicists marry dance and prog sounds
A soaring fusion of atmospheric melancholy and energetic punk