Album: Ed Sheeran - Autumn Variations

Interesting moments are too far and few between in the popular singer-songwriter's latest

share this article

Towering drums, seering and furious guitars, vocals that are powerful and often throat-scorching; metal, hard rock, and all their intertwining sub-genres are by far the ones that fit most naturally for this writer. It may be a surprise then to be reviewing Ed Sheeran’s latest. But it’s also impossible to deny when a melody catches just right, and races round and round for days on end.

In addition, this is Sheeran’s first full length record not graced with a maths symbol as its name. Instead, Sheeran took inspiration from Elgar's Enigma Variations, a series of 14 musical portraits of the composer's friends and relations. And so, as an outsider looking in it was a curious proposition to peek in and discover how different this would be.

What’s immediately apparent, even to someone far from a regular Ed Sheeran listener, is that there is a vibe throughout which is reminiscent of when he first broke on to the scene: multi-layered percussion evokes his earlier use of looping pedals, and a heavy presence of acoustic guitars returns. But there still remains the sickly sweet pop sheen that Ed has honed as his career has progressed.

Opener “Magical” pulses with a simple 1-2 kick-drum and snare pattern under rustic, acoustic strings. “This is magical; is this how it feels to be in love?” he ponders while doing his best impression of any other mainstream hit of the last decade.

While Autumn Variations may sound like it promises newness and change, it instead delivers like a careful revisiting of elements that Ed had seemed to move beyond. For every relatively charming, yet standard pop jaunt like “Plastic Bag”, or upbeat “That’s On Me”; there is an “England”, which approaches the territory of his 2017 hit “Castle On The Hill”.

Overall, to these ears at least, its interesting moments – such as “Page”, where Ed addresses struggles with writers block, the warming optimism of “Spring”, or “Punchline” which builds to an easy, blues rock finale – are too few and far between. In the end, Autumn Variations lacks the nuance or excitement to make this worth revisiting for a newcomer, but it will certainly go down well with his regulars.

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
Autumn Variations lacks the nuance or excitement to make this worth revisiting for a newcomer, but it will certainly go down well with his regulars

rating

2

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 31st August this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

The welcome return of a foundational album of electronic minimalism
Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time