Perhaps the most surprising thing is how good natured they all sound. There’s no anger. At least, not much – one can’t help wondering what they say off air.

As RuPaul's best squirrel friend Michelle Visage, co-doyenne of the amused and amusing judges, put it, "that was some next-level shit". She was referring to a high point in the contest's weekly lip sync-ing finales, right at the end of the new season's first entertainment (on Netflix), but it's true of the majority of the 13 queens presented over two episodes to compete for the crown.

Spectacular success couldn't have happened to a more interesting person, or a better writer.

The 2020 Formula 1 season will commence in Melbourne next weekend... unless the race is cancelled because of the mounting coronavirus panic. Everyone will have to self-isolate and watch Netflix instead, so how fortunate that the ‘flix has delivered this second series of Drive to Survive in the nick of time.

ITV's drama department is in overdrive at the moment, with a seemingly endless release of series with high production values and stellar casts, and the latest is The Trouble With Maggie Cole. It's a six-parter based on an idea by Dawn French (who also stars) and is written by Mark Brotherhood.

In this aptly-titled series (BBC One), four British 20-somethings visit the USA to investigate the inner workings of the beauty industry. Perhaps not surprisingly, they discover that it’s a hotbed of greed and exploitation.

Rob Brydon and Steve Coogan have been taking their bickering TV trips for a decade, beginning in the north of England in 2010 before working their way around Italy, Spain and now Greece (on Sky 1). They say this will be the last time, but believe that at your peril.

The first series of Liar, one of many thrillers from the fertile keyboards of Jack and Harry Williams, was on ITV back in 2017, so you may have forgotten the somewhat labyrinthine details. In a nutshell, smarmy surgeon and serial rapist Andrew Earlham (Ioan Gruffudd) had been unmasked by the dogged (and sometimes illegal) methods of one of his 19 victims, schoolteacher Laura Nielson (Joanne Froggatt).

The rage and bitterness surrounding the Brexit brouhaha have made it immune to comedy and satire, but perhaps change is in the wind. Channel 4’s bogus royal family is back after a two-year gap, charged (as an introductory voice-over explained) by Her Majesty’s government with cheering up the divided nation.

Since Back in Time for Dinner in 2015, this BBC Two social history strand in which families travel into a recreated past to experience ways in which society, leisure and lifestyles have changed has proved a robust perennial.