Even blessed with youthful confidence, when the Coral first stepped out on the Barrowland stage 21 years ago to support the late, great Joe Strummer it’s hard to imagine they could have foreseen that they’d be able to return to the same stage over two decades later. 

Yet much like the former Clash frontman that night, here were the Liverpudlian group armed with a considerable back catalogue to delve into, and an audience eager for nostalgia, in the form of a run-through of the band’s debut album.

During the first week of February 1982, Theatre Of Hate got as close to the mainstream as they’d ever get. They opened that week’s edition of Top of the Pops with a run through of “Do You Believe in the Westworld?” which was then at 40 in the Top 40 – the highest position they’d reach in the single’s chart.

White Lies began their set as many bands would end it, with a familiar hit ringing out and an explosion of confetti over the crowd. Such a tactic made you wonder if the three-piece would peak too soon here, mirroring the band’s commercial fortunes over a now lengthy career. First came a chart-topping album, then a series of mostly well regarded follow-ups that have slipped down the charts each time. Thankfully, and at times, surprisingly, the opposite was true.

Born in the bedroom of keyboard player Charles de Boisseguin, bathed in a sleek, quintessentially French tradition of electro-pop, L’Impératrice materialised on the darkened stage at the O2 Shepherds Bush, with glowing hearts beating in unison on their chests. The beat quickened into a single tone to lead into “Off to the Side”, leaping from an intimate, near whispered opening to a snappy, electric chorus.

In 2000, Broadcast’s first album The Noise Made By People entered the UK’s mainstream Top 100 and claimed the top spot on the dance charts. Three years later, their second album Haha Sound was in the Top Ten of America’s dance/electronic charts. It also went Top Five on the UK’s dance charts.

In July 1967, a British band called The Ingoes changed their name. Up to this point they’d traded in R&B, blues and soul, and tackled some rock ’n roll covers too. Ingoes referenced the 1958 Chuck Berry song “Ingo”. As they’d just recorded their debut album, a rebranding was needed. It was psychedelic so their management came up with Blossom Toes.

As the year starts to rev up, theartsdesk on Vinyl returns with over 7000 words on new music on plastic, a smörgåsbord of the kind you will find nowhere else. This month we also have a competition for the dance music lovers among you, a chance to win a £50 gift card for the new app Recycle Vinyl (online stock of 10,000 records + 25,000 in their warehouse + 500 more added every week).

Seven and a half years ago, Loop frontman Robert Hampson retired the band's back catalogue in front of a live audience. “You won’t hear these old songs again,” he told the audience at Islington’s Garage.

“As you’ve noticed, I’m really terrible at talking between the songs,” announces Melt Yourself Down singer Kushal Gaya, two-thirds of the way through the gig. He is. But it really doesn’t matter; the genre-uncategorizable London six-piece smash through their hour-and-15-minute set with a lean, giddy forward propulsion that brooks no pause. Consequently, the small, sold-out, low-ceilinged club venue gradually becomes a wriggling, sweaty rave-pit.

This new edition of People Move On, Bernard Butler’s April 1998 debut solo album, takes what was issued then to up to four CDs. Nothing unusual in that. Box set-isations of a single album customarily add alternate versions, outtakes, non-album tracks from singles, demos, live tracks, recordings from tracking sessions.