The Fit Prince (who gets switched on the square in the frosty castle the night before (insert public holiday here)), Pleasance Courtyard ★★★★

As shockingly beautiful as it is horrifyingly brutal, actor Armando Babaioff’s deeply Brazilian adaptation of thriller Tom at the Farm leaves a rancid taste in the mouth and harrowing images seared on the retina. It’s a show to shock and provoke, but also to deeply disorientate, blurring the boundaries between pain and pleasure, desire and repulsion in a way that stays with you, whether you want it to or not.

With the sheer density of theatrical creations jostling for attention across Edinburgh’s festivals, there’s no shortage of arresting stagings, innovative visuals and powerful, memorable design. (Just take Cena Brasil Internacional’s shocking Tom at the Farm as one particularly epic, raw example.)

The Fringe piece Duncan Macmillan devised with Jonny Donahoe in 2014 has since been round the world and back, finally landing in the West End. It feels as freshly minted as ever.

The Beautiful Future is Coming, Traverse Theatre ★★★★★

Back in the day, when America’s late-night chat show hosts and their guests sat happily smoking as they shot the breeze for a growing audience, the most sought after guest was Oscar Levant. 

Monstering the Rocketman by Henry Naylor, Pleasance Dome ★★★★

Lost Lear, Traverse Theatre ★★★★

A rehearsal room; a tense preparation session for a production of King Lear, provocatively gender-swapped; a troublesome diva in the title role; and a near-silent understudy barely able to contribute.

You could distinctly hear the murmurs of recognition from the Edinburgh audience – responding to knowing mentions of the city’s Leith and Morningside areas, the building of Royal Bank of Scotland’s immense Gogarburn HQ, the institution’s towering greed and ambition – during James Graham’s epic new history of RBS, its single-minded CEO Fred Goodwin and the 2008 financial crisis that was unveiled at the Edinburgh International Festival.

I’m Ready to Talk Now, Traverse Theatre ★★★★