Theatre
Gary Naylor
The family pet dies. It’s a problem many parents face, and when Gracie learns from her evasive father that her dog isn’t just gone, but gone forever, her five-year-old brain cannot process it and so begins a lifelong relationship with deaths, funerals and grief. It’s something we all experience but seldom talk about and, as such, it’s fertile ground for theatre. So Jacob Marx Rice’s new play is a worthy addition to the Finborough Theatre’s fine record of staging interesting work in its intimate space, all the more laudable as, on the face of it, this production is a tough sell in Read more ...
Mert Dilek
For a masterclass in expansive adaptation, one could do worse than turn to Ang Lee’s Oscar-winning Brokeback Mountain, based on American author Annie Proulx’s 1997 short story of the same title. Proulx’s restrained but searing tale of the queer romance between two ranch hands in 1960s Wyoming generated in Lee's 2005 film a tragedy of deep interiority and complex emotion.Eighteen years on, this source material faces a kindred, if altogether new, challenge in Ashley Robinson’s stage adaptation at West End’s @sohoplace, which comes with serious star wattage through its central cast of Mike Faist Read more ...
Anya Ryan
Food is the centrepiece of Gareth Farr’s chilling new play Biscuits for Breakfast. Meals are described so delicately that the rich steams of them cooking are almost scented. But though they are prepared, shared and savoured with fondness, crucially, they are never physically there.Instead, budding lovers Paul and Joanne dine with food suggested but never shown. Paul, a trainee chef, woos the spiky Joanne with a perfectly made fish pie. Both work at the local hotel, with Paul dreaming of breaking away from the Cornish seaside for a future of bestselling cookbooks and lavish restaurants. Read more ...
Ismene Brown
Of all the theatrical dames, Eileen Atkins is the one with the least predictable face. She doesn’t bring promises in advance of warm or cuddly, or acerbic or flirtatious. She plays her part like a superb poker player, indeed like someone who is also herself a scriptwriter - she never gives the game away. There’s a wrenching moment late on in Amy Herzog's 4000 Miles when Atkins allows the full weight of her character’s very long life hit her, and her face simply empties of expression, becomes a mask of dispassionate tragedy. The effect is of time freezing for a couple of beats. It could be a Read more ...
Gary Naylor
Tom Littler opens his account as artistic director of the Orange Tree Theatre with one of the more radical choices one can make in 2023 – directing a 102 year-old play pretty much how it would have been done in 1921.It’s all very period (beautifully designed with superb attention to detail in props and costumes by Louie Whitemore) and trusts its audience to peel back the onion layers of subtext carefully concealed by Somerset Maugham. And, yes, it might make you cry as you do so.We’re in Blandings Castle territory (or would be if PG Wodehouse had allowed himself a whiff of Evelyn Waugh’s Read more ...
Helen Hawkins
It’s back yet again, Operation Mincemeat, a gift of a story that goes on giving. It surfaced as the 1956 film The Man Who Never Was, based on a 1953 book by Ewen Montagu, one of the MI5 types who came up with the 1943 plan of that name. Its latest run was kicked off by a 2010 book by Ben Macintyre, a play by Cardboard Citizens, a second film version, with Matthew Macfadyen and Colin Firth, in 2021 and a long-aborning musical by the SpitLip company. Somehow audiences never tire of hearing how MI5 turned a corpse into a vital red herring, complete with a briefcase of faked secret documents Read more ...
David Nice
Church and law are enemies of promise in Ibsen’s tragedy-without-catharis. You can see why this devastating attack on, among other things, the syphilitic sins of the fathers being visited on the hopeful young created a ruckus in the 1880s. It’s still potent thanks to the characters’ complex reactions to social constraints. Mark O’Rowe’s new version for Landmark Productons at the Abbey is faithful to the essence, while sets and costumes only reinforce modernity in period dress.Francis O'Connor's set is a crucial, at times crushing, participant in the slow-burn revelation of past sins wreaking Read more ...
Thomas H. Green
With acrobatics at this level, they make it all look so easy, it’s possible for an audience to become complacent. By the time the show Out of Chaos, by the troupe Gravity & Other Myths, from Adelaide, Australia, has finished, the Brighton Dome crowd is so used to the quiet fluidity of humans swiftly leaping onto each other’s shoulders, standing there, walking around, and so on, that it seems quite normal and do-able. Fortunately, there’s a boisterous crowd in, keen to whoop, shriek and offer loud praise for such effortlessly delivered gruelling physicality.The stage is plain, a circuit of Read more ...
Matt Wolf
Plays about the theatre are many and varied, from Gypsy and Noises Off to the numerous Shakespeare works that absorb theatrical performance into their very fabric.Jack Thorne's The Motive the Cue immediately takes pole position amongst recent entries in this genre in telling of a onetime Broadway venture – Richard Burton's career-defining Hamlet in 1964, directed by John Gielgud – that surely is itself in time destined for Broadway. By the point, look for various performances, and Sam Mendes' direction, to have been laurelled along the way: the National Theatre hasn't hosted so purely Read more ...
Helen Hawkins
Reggae hits are already playing over the speaker system at the Bush when the audience enters, some jigging to the sounds as they find their seats. The set before us is a living room with a bright orange carpet, a squidgy tan faux leather armchair and a cocktail trolley.The party atmosphere continues when August Henderson comes on, aka a trim and grinning Lenny Henry in a suit, collar and tie and soft tweed cap. And there’s more jollity as August starts handing out tots of rum from his little cocktails trolley and swings into the terrain that made Henry’s name in the early days of his career, Read more ...
Ismene Brown
Sometimes I go outside and look at our kitchen drain. Where there should be a vortex there’s a largely static pool. Tree roots have recently grown through the old pipes, their clumps colonised with fat, dog hair and coleslaw bits, and though a bit of handpumping will shift some of the stale water for a while, it really needs systemic attention from Dyno-rod. A good Dyno-rodding is what Chichester’s new production of Noel Coward’s The Vortex needs too.The catchline for the staging is that a real-life mother and son play the sex-mad mother and drug-addicted son of the drama, the subtle and Read more ...
Gary Naylor
Just when you’ve relaxed a little, privilege duly checked and confident that you won’t be guilt-tripped for nipping into that disabled loo a few years ago at the National (c’mon, the interval was nearly over and needs must), FlawBored drop a bomb into the narrative. The temperature in the room plummets, a real coup de théâtre is effected and I'm still processing it. Yep, they went there. After garnering awards at the Vaults Festival (that’s not research, they tell you and they tell you why too), Aarian Mehrabani, Chloe Palmer and Samuel Brewer (pictured below) bring their meta- Read more ...