Founder rate ends 9th September.

We’re rebuilding theartsdesk to secure the future of real arts journalism. Be part of it by subscribing: if you do it now, the founders’ rate of just £40 yearly is yours FOR LIFE!

SUBSCRIBE NOW 

The Host review - implausible suspense thriller

Hitchcockian it is not

share this article

Derek Jacobi bookends the film with brief appearances as a psychologist

A camel is a horse designed by committee, they say; perhaps that explains why The Host, with several writing credits – adapted by Zachary Weckstein from a story by Laurence Lamers, screenplay by Finola Geraghty, Brendan Bishop and Lamers – doesn't really know what it is. Part suspense thriller, part crime caper, but mostly a Hitchcock rip-off (although I'm sure the creators would call it “homage”).

It starts so promisingly, with Saul Bass-esque opening titles, but then we get into tale that becomes bogged down with trivial details. After being dumped by the married colleague with whom he has been having an affair, gambler and drinker Robert (an underwhelming Mike Beckingham) steals £50,000 from the private bank where he works (has he never heard of CCTV?) and then loses it all at an illegal club.

The club's owner, Mr Lao (Togo Igawa) makes Robert an offer he can't refuse: he'll cancel his debt and pay him handsomely if he runs an errand to Amsterdam, no questions asked.

There Robert meets the mysterious Vera (Maryam Hassouni, pictured right, so much better then the material she has to work with), who has a rather interesting hobby room in her basement. Back in London, Robert's brother, Steve (Dougie Poynter, better known for his singing career with McFly for good reason) determines to find his now missing brother, and off he goes to Amsterdam too.

Remind you of anything? Psycho popped into my mind, as well as Hostel in one of The Host's plot points. And that's fine if those movies were the starting point for something new, or playful, or inventive, but The Host, ploddingly directed by Andy Newbury, is none of those things.

As Steve becomes embroiled in a complicated and implausible tale involving international crime fighters, Triads, high-level Dutch society, gory endings and a risible back story of parental loss, I did wonder if there was a wishlist of psycho-drama tropes the writers wanted to embrace. The only can they didn't hit, at least, was that neither of the brothers and Mr Lao's enforcer Jun Hui (Suan-Li Ong), sent to trail Robert in Amsterdam to make sure the drop goes ahead, fall into lustful embrace.

The Host is neither well written or well acted, and takes several jarring switches of gear and direction which confuse the viewer rather than add to the suspense, and the biggest mystery is the fact that it's bookended by brief appearances by Derek Jacobi as a psychologist. But at least the location shots of south London and Amsterdam are fab.

  • The Host is available download  on all platforms from 17 April

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
It takes several jarring switches of gear and direction

rating

2

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 31st August this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more film

A surprise Thai hit combines deadpan-dry humour with sharp-toothed social commentary
School shootings and social media alienation queasily satirised
Enthralling and witty political drama from 1960s East Germany
Matt Damon stars in Christopher Nolan's IMAX-sized recreation of Homer's epic poem
Dip your toes into these Homeric movies before Christopher Nolan’s 'The Odyssey' ties us to its mast
A Bellocchio classic is retooled as a stifllng rich-brats' revenge story
A potential camera in every hand: SMart celebrates smartphone directors
Hitchcockian black comedy from Luis Buñuel’s Mexican period
Olivia Wilde's snappy comedy on the perennial subject of reviving a failing marriage
Kiss kiss, bang bang in a moving Middle East documentary
David Vann's acclaimed novella transposed to the screen with mixed results
The most important 'how-to video' you are ever likely to see