Trisha Brown Dance Company, Tate Modern & Queen Elizabeth Hall

Trisha Brown Dance Company, Tate Modern & Queen Elizabeth Hall | reviews, news & interviews

Trisha Brown Dance Company, Tate Modern & Queen Elizabeth Hall

Magical dance takes flight among the sculptures - and Q&A with Brown

by Ismene BrownWednesday, 20 October 2010

'Glacial Decoy': 'It’s a dance where time dances without passing, somehow. Magical.'© Julieta Cervantes/SBC

A snaky conga of women in white pantsuits snuggling their loins together in a Spanish dance, and wiggling their way along a wall behind a Joseph Beuys installation may well be one of the indelible sights of my dance year. Mine, and that of only a few dozen other people, who happened to be in the right Tate Modern gallery at the right moment when this extraordinary little event took place.

Brown’s early "dance actions" were staged among "action art", the objects and the fragments of dance joining up in exhilarating congruity

Explore topics

Share this article

The future of Arts Journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more Dance

Help to give theartsdesk a future! Support our GoFundMe appeal

Maddaddam, Royal Ballet review - superb dancing in a confusing frame Wayne McGregor's version of Margaret Atwood's dystopia needs a clearer map

Pina Bausch’s The Rite of Spring/common ground[s], Sadler’s Wells review - raw and devastating Returning dancers from 13 African countries deliver celebrated vision with blistering force

Legacy, Linbury Theatre review - an exceptional display of black dance prowess An all-too-fleeting celebration of black and brown ballet talent that demands a reprise

Encounters, Royal Ballet review - exciting mixed bill with a gem of a premiere Pam Tanowitz's latest piece is a stunner that larkily subverts the rules

National Ballet of Canada, Sadler's Wells review - see this, and know what dance can do Yet again, Crystal Pite proves herself a ferocious creative force, alongside fellow Canadian exports James Kudelka and Emma Portner

Nobodaddy, Teaċ Daṁsa, Dublin Theatre Festival review - supernatural song and dance odyssey Michael Keegan-Dolan’s genius guides us through death, separation and loss

Alice's Adventures in Wonderland, Royal Ballet review - big, bold and ultimately brash It may be box-office gold, but Christopher Wheeldon's adaptation fails to find a beating heart down the rabbit hole

Resurgence, London City Ballet, Sadler’s Wells review - the phoenix rises yet again A new 14-strong company reviving a much-loved name is taking ballet to smaller theatres

The Mad Hatter's Tea Party, ZooNation, Linbury Theatre review - a joyous celebration of differentness Kate Prince's hip hop take on Lewis Carroll is energetic, charming and moving by turns

Ballet Nights #006, Cadogan Hall review - a mixed bag of excellence Gala enterprise, 12 months on, will be a stayer if it keeps up this level of excitement

theartsdesk Q&A: Nina Ananiashvili, founder of the State Ballet of Georgia Bolshoi superstar who made her name in London returns with a new generation

Follow @theartsdesk