dance
Bolshoi's controversial Nureyev ballet opens – to ovations and bansMonday, 11 December 2017
Nureyev, the most notorious new production at the Bolshoi Ballet’s modern history, premiered last night in Moscow to a 15-minute standing ovation and exclamations of official approval even by Putin’s press secretary – but the ballet’s creator and director languished under house arrest, refused permission to see... Read more... |
Fierce: the Birmingham festival which reaches out to Europe and beyondWednesday, 18 October 2017
Since its inception in 1997 Fierce, Birmingham’s International Festival of Live Art & Performance, has championed the work of performance makers not often seen in Britain. The pantheon of body artists under Mark Ball’s era as director included the likes of Franko B, Ron Athey and Kira O’Reilly. Read more... |
Sergei Vikharev, master ballet-reconstructor, 1962-2017Tuesday, 06 June 2017
Just as the 200th anniversary is about to be celebrated of the great genius of 19th-century classical ballets, Marius Petipa, the creator of The Sleeping Beauty, Don Quixote, La Bayadère, half of Swan Lake, and many other masterpieces, his oeuvre's most remarkable reconstructor has died suddenly, aged only 55. Read more... |
Preview: International Dance Festival Birmingham 2016Monday, 11 April 2016
International Dance Festival Birmingham (IDFB) is one of the unsung heroes not just of dance in Britain, but of festivals. It treats anyone within striking distance of the West Midlands to an exciting range of performers and public dance events over three weeks, and is cleverly scheduled in May – when lengthening days and bank holidays make us want to go out and have a good time, but it's not quite warm enough for camping. Read more... |
Best of 2015: Dance & BalletThursday, 31 December 2015
It was business as usual in the British dance world in 2015. Looking back over the year, theartsdesk's dance critics see the industry's many talented, capable people continuing to do their jobs well, but we don't recall being shaken, stirred or surprised as often as in other years, or at least not by new works: our top moments of the year are concentrated in the farewells of great dancers Sylvie Guillem and Carlos Acosta, and in classic productions of classic ballets. Read more... |
Yolanda Sonnabend: designer of MacMillan's 'neurotic' balletsMonday, 16 November 2015
Ever since Diaghilev’s day the relationship of dance movement to its visual design has been a lively, sometimes combative affair. Sometimes people leave whistling the set, saying shame about the dance; other times they hate the set, love the dance. As with the relationship of dance to music, the fit of look to movement can be decisive in why a new ballet escapes the curse of ephemerality and becomes a firm memory that people wish to revisit. It directs the audience how to read it. Read more... |
Ex Kirov ballet chief takes not-so-Bolshoi jobWednesday, 28 October 2015
The great Bolshoi ballerina Ludmila Semenyaka once told me that you need the claws of a tiger and the hide of a rhinoceros to survive at Moscow's iconic theatre. Her bitter words came to mind yesterday morning when I saw the Twitter feed of the Bolshoi Theatre blithely congratulating the ballet artistic director Sergei Filin on his 45th birthday – along with a photo of him from before the acid attack that ruined his youthful looks, his eyesight and his career as a ballet director. Read more... |
An Open Book: Michael HullsSaturday, 05 September 2015
The occupation “lighting designer” is too workaday to describe Michael Hulls. The artistry with which he casts illumination or shadow on some of the great dancers of our time make the idea of switches and bulb wattage seem humdrum. Pellucid, occluded, darkling - this is Hulls’ palette of twilight effects. Too often, he says, people do not understand the difference between seeing the dancer and seeing the dance. Read more... |
Bolshoi Ballet acid attack leader loses his jobFriday, 31 July 2015
Sergei Filin, the Bolshoi Ballet artistic director whose sight was maimed two years ago by an acid attack organized by a disgruntled dancer, will lose his job when his contract expires next spring. Bolshoi Theatre chief Vladimir Urin announced yesterday in Moscow that he is abolishing Filin’s position and replacing it with a more management-focused director, indicating that artistic decision-making is to be taken "jointly" with the theatre directorate. Read more... |
theartsdesk Q&A: Composer Gavin HigginsMonday, 11 May 2015
Composer Gavin Higgins and choreographer Mark Baldwin’s Dark Arteries is billed by Rambert as “the world’s first brass band dance work” and has its premiere this week at Sadler’s Wells. Higgins was born into a family of brass players in the Forest of Dean, later studying at Chetham’s School and the Royal Northern College. He spoke to theartsdesk in between rehearsals last week. Read more... |
Pages
latest in today
Prom 27, Dinnerstein, National Youth Orchestra, Gourlay revi...
Danny Elfman – the punk rocker-turned-film composer behind Batman, Spider-Man, Edward Scissorhands and The Simpsons...
Burn, Edinburgh International Festival 2022 review - bold, r...
In retrospect, all the clues were there. A star actor embarking on a new performance genre; a fresh reappraisal of one of...
Utopia, Limited, National Gilbert & Sullivan Opera Compa...
Joseph Heller grew tired of being told that he’d never written anything as good as Catch 22. ‘Who has?’, he'd retort. In the same...
Album: Boris - Heavy Rocks
Boris are an eclectic Japanese band, with over 20 albums to their name. Following their creative instincts and often recording live with no...
Edinburgh Fringe 2022 reviews: Les Dawson: Flying High / Bor...
Les Dawson: Flying High, Assembly George Square ★★★...
Music Reissues Weekly: The Movers - Vol. 1 1970-1976
After a burst of gun-shot drumming, “Hot Coffee” instantly hits its groove. Simple but insistent guitar, a rubbery bass line and electric organ...
Nightclubbing: The Birth of Punk Rock in NYC review - cheap...
Bankruptcy, rubble, rape and murder: Manhattan in the Seventies could be grim, as multiple New York punk memoirs make clear. The trade-off was the...
South Pacific, Sadler's Wells review - strong singing i...
How old is Emile de Becque? Perhaps because my first Emile was the 1958 film version’s Rossano Brazzi, my vision of the lonely French...
Edinburgh Fringe 2022 reviews: Tiff Stevenson / Seann Walsh...
Tiff Stevenson, Pleasance Courtyard ★★★★
...
...