Fantastic Mr Fox, London Film Festival | reviews, news & interviews
Fantastic Mr Fox, London Film Festival
Fantastic Mr Fox, London Film Festival
Crazy like a vulpus: Wes Anderson's first animated feature
Thursday, 15 October 2009
It would be an understatement to say that the auguries weren't good for Wes Anderson's first animated movie, the world premiere of which opened the London Film Festival last night. The distributor - Twentieth Century Fox, by a neat coincidence - was coy about screening it to critics, the trailer (below) was teeth-grindingly unfunny and an uncommonly candid feature in the Los Angeles Times earlier this week reported deep tensions on the film's London set.
It would be an understatement to say that the auguries weren't good for Wes Anderson's first animated movie, the world premiere of which opened the London Film Festival last night. The distributor - Twentieth Century Fox, by a neat coincidence - was coy about screening it to critics, the trailer (below) was teeth-grindingly unfunny and an uncommonly candid feature in the Los Angeles Times earlier this week reported deep tensions on the film's London set.
Add comment
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more Film
Blu-ray: The Oblong Box
Vincent Price and Christopher Lee in 'Witchfinder General''s phantom follow-up
Bird review - travails of an unseen English tween
Andrea Arnold gives a hyperreal spin to her latest story of a neglected girl
The Problem With People review - local zero
Hardly a Forsyth saga, this unfunny Oirish comedy is a homage to catatonia
Anora review - life lesson for a kick-ass sex worker
Sean Baker's bracing Palme d'Or winner twists, turns, and makes a star of Mikey Madison
Blitz review - racism persists as bombs batter London
Steve McQueen's overwought World War Two boy's adventure film delivers its message
Small Things Like These review - less is more in stirring Irish drama
Cillian Murphy is exceptional as a man wrestling with his church and conscience
The Room Next Door review - Almodóvar out of his comfort zone
The Spanish director's meditation on mortality is a beautiful misfire
Blu-ray: The Outcasts
A forgotten Irish folk horror is eerily magical and earthed in the soil
London Film Festival 2024 - Nickel Boys, crime and punishment and Ukraine
Colson Whitehead's Pulitzer-winner adapted, a Belgian serial killer, Chinese odyssey and sexist Indian police in our final round-up
London Film Festival 2024 - a shaman and sham
Warren Ellis saves wildlife and himself, Pavement go post-modern in two music docs
Documentary highlights from the 2024 London Film Festival
A close look at insightful new non-fiction films about single motherhood, visionary photographers, scam artists, legacies of colonialism, and more
Venom: The Last Dance review - Tom Hardy's people-eater bows out
Poignancy studs the digital punch-ups as the super-alien saga concludes
Comments
...