Wolfgang Holzmair, Andreas Haefliger, Wigmore Hall | reviews, news & interviews
Wolfgang Holzmair, Andreas Haefliger, Wigmore Hall
Wolfgang Holzmair, Andreas Haefliger, Wigmore Hall
Wolfgang Holzmair and Andreas Haefliger for all their artistry don't make the pain burn
Sunday, 29 November 2009
Baritone Wolfgang Holzmair and pianist Andreas Haefliger: two to admire for musicianship and integrity Wigmore Hall
There’s something beyond detailed and attentive musicianship that’s needed in Schubert’s last, most desolate song-cycle, Winterreise (“Winter’s journey”). It’s a dramatic arc that unites these 24 songs into a journey, the number of breaths in time and miles in distance that elapse from the first poem to the 24th, and bring you a sense of contact with the person undergoing this terrible suffering. Someone who is not Schubert, the composer, or Müller, the poet, but a third person.
There’s something beyond detailed and attentive musicianship that’s needed in Schubert’s last, most desolate song-cycle, Winterreise (“Winter’s journey”). It’s a dramatic arc that unites these 24 songs into a journey, the number of breaths in time and miles in distance that elapse from the first poem to the 24th, and bring you a sense of contact with the person undergoing this terrible suffering. Someone who is not Schubert, the composer, or Müller, the poet, but a third person.
What should be a landscape of desperate states became a repeating pattern.
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