Classical music
Peter Culshaw
Philip Glass is sufficiently famous that his 75th Birthday celebrations have been going on all year (he was actually 75 in January) and the year saw two of the absolute highlights of his career presented at the Barbican. His first opera Einstein On The Beach and last night, the soundtrack to his first film score Koyaanisqatsi, performed alongside the film itself, with Glass on keyboards. More of his “greatest hits” will be performed at the Union Chapel in Islington tonight.There will be those who remain implacably opposed to what they see as his facile repetitive argeggios and are inclined to Read more ...
graham.rickson
Listening to a recording can never replace the joys of live performance. But if you don’t live in London, opportunities to explore quirky new repertoire can be thin on the ground. CDs most often excel as introductions to composers and works that you’ve never heard before. We’ve all experienced those small moments of rapture when a previously unknown piece bowls you over. You immediately skip back to replay it, usually at higher volume, before you hassle your friends and family to listen too. Major label releases of standard repertoire can still delight; Beethoven and Tchaikovsky have had a Read more ...
David Nice
One of Russia’s greatest and most inspirational sopranos, Galina Vishnevskaya died on 11 December at the age of 86. To the world at large, she will probably be most famous for taking an heroic stand alongside her husband, cellist and conductor Mstislav Rostropovich, against the Soviet authorities over the treatment of Alexander Solzhenitsyn; in 1974, the couple were stripped of their citizenship as a result.Inside the Soviet Union up to that point she had long been the Bolshoi Opera’s prima donna assoluta, and though she went on to record some roles past her prime, there are peerless Read more ...
alexandra.coghlan
If you’ve ever wondered what a bad day at the office looked like for Handel then look no further than Belshazzar – an oratorio that positively demands heavenly intervention and possibly a bit of smiting. With a first act that worried even the composer with its length, a confused magpie plot and a libretto whose worst excrescences outdo even those of Congreve’s Semele, it’s one of those neglected works that gain little by being dragged out into the light, even by such distinguished champions as William Christie and Les Arts Florissants.Which is a shame, because it’s a rare delight these days Read more ...
David Nice
Why so much of Vladimir Jurowski and the LPO on theartsdesk, you may ask, when other concerts pass unremarked? The answer is simple: quite apart from the immaculate preparation and the most elegant conducting style in the business, Jurowski programmes with an imagination matched by none of London’s other principal conductors – unless you like lots of Szymanowski served up by Gergiev with lumpy Brahms – and, more important, always finds connections.This stunning event was an excellent demonstration of the art, and introduced with typical eloquence by a Jurowski bent on pointing out a healthy Read more ...
mark.kidel
While living in Bombay in the late 1940s, betrayed by a business partner and his first marriage in the midst of painful implosion, Ravi Shankar decided to commit suicide. At the eleventh hour, a holy man, who happened to be passing by, knocked on his door asking for water. The man told Shankar that he was aware of his fateful decision. This wasn’t, he went on, the right time to be renouncing life. He had a great future ahead of him, the sadhu continued, and a major role to play in the dissemination of Indian music throughout the world. The man became Ravi Shankar’s spiritual teacher, and for Read more ...
Ismene Brown
The astronomer Sir Patrick Moore was a keen composer of decided musical preferences, and no mean xylophonist. The news of his death on Sunday reminded me of my hugely enjoyable encounter with him - for musical reasons - for the Daily Telegraph in October 1998, heralding the release of a recording of his tunes.PATRICK Moore is hammering the living daylights out of the xylophone in his dark, cluttered drawing-room. Over it hangs a sharp message to visitors: "No, you may NOT put your cup on the xylophone". I have a sudden vision of him attacking an offender with his mallets.When I arrived at his Read more ...
alexandra.coghlan
Say what you like about America, but it certainly knows how to turn out an opera diva. While the Russians and even Italians can be chilly and untouchable in their splendour, there’s a cultivated ease with the likes of Renée Fleming and Joyce DiDonato that allows a song recital to be both a relaxed conversation with an old friend and a piece of highly crafted technical showmanship. It’s artifice and artistry of the highest order – not just making it all look easy, but showing us just enough mechanics to prove that it definitely isn’t.The Barbican Hall isn’t a natural venue for a song recital, Read more ...
David Nice
Never mind the huge interpretative challenges; Mahler’s Eighth, dubbed the "Symphony of a Thousand" owing to the gargantuan forces the composer marshalled as conductor of its 1910 Munich premiere, needs an even greater mastery of logistics. Markus Stenz (b 1965), who has been chief conductor of Cologne’s 500-year old Gürzenich Orchestra since 2003 in addition to major posts at the Hallé and Hilversum's Radio Philharmonic Orchestra, had so far wielded a Mahler cycle of terrific impetus and fresh approach to detail. How would he get 600 or so singers and players to move forward with an equal Read more ...
alexandra.coghlan
What if Handel, after his death, descended to an eminently civilised afterlife, where he spent his time making music and new friends with the likes of Beethoven and even Jimi Hendrix? That’s the premise of Louis de Bernières’ new play Mr Handel, a show that brings the author himself together with baroque chamber group The Brook Street Band and soprano Nicki Kennedy in a gentle meander through the life and works of baroque’s finest.It’s Christmas, and novelty shows are all around, if you can find them among the ubiquitous pantomimes and West End shows screaming ever louder for the attention of Read more ...
graham.rickson
Lutosławski: Orchestral Works III Paul Watkins (cello), BBC Symphony Orchestra/Edward Gardner (Chandos)If your passing acquaintance with Lutosławski’s output goes no further than the masterly early Concerto for Orchestra, the 1950 Mała Suite shouldn’t present any problems. This brief, four-movement work is equally disrespectful to the folk melodies to which it superficially pays lip service. It’s glorious – 10 minutes of slyly tuneful, lucidly orchestrated fun. Revel in the opening dance, its chirpy piccolo rudely, brutally squashed by pounding Stravinskian string chords. Move on to the Read more ...
David Nice
Her Majesty was making a rare concert-hall appearance to present the Queen’s Medal for Music, and any little Englanders in the audience might have been tempted to link royalty to Elgar’s Enigma Variations. But conductor Robin Ticciati, with a generosity and wisdom beyond his 29 years, raised this orchestral masterpiece to the universal level it deserves. Elgar’s "friends pictured within" trod air and revealed every aspect of their often shy, beautiful souls.It should come as no surprise that the score transcends labels of nationality, provinciality even. After all, what is "Nimrod" but the Read more ...