Classical Reviews
Prom 30: Bavouzet, BBC Philharmonic, NosedaTuesday, 06 August 2013
It was mostly Russian night at the Proms, and mostly music you could dance to, as a hand jiving Arena Prommer rather distractingly proved in the finale of Tchaikovsky’s Second Symphony. Even Prokofiev’s elephantine Second Piano Concerto was transformed into the ballet music Serge Diaghilev thought it might become in 1914. Much of this was thanks to the fleet feet and mobile shoulders of febrile BBC Philharmonic conductor Gianandrea Noseda. Read more...
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Prom 29: Tannhäuser, BBC Scottish Symphony Orchestra, RunniclesMonday, 05 August 2013
On the one occasion I went to Bayreuth, I made the mistake of seeing The Flying Dutchman and Lohengrin after the best of Ring cycles. At the Proms we’ve had a week of serious Wagnerian withdrawal symptoms, so Tannhäuser was never going to feel like too much or too little of a good thing. Read more... |
theartsdesk in Verbier: Festival scales new heightsSunday, 04 August 2013
The moment when Alfred Brendel shuffled on stage during the Verbier Festival’s 20th Anniversary Concert not to play, but to turn pages for long-time colleague Emmanuel Ax, expressed everything that is so special, so extraordinary about this festival. Walking off together, arms around each other’s shoulders, these were not just international soloists, they were two great old men and two even greater musicians. Read more... |
Classical CDs Weekly: Timo Andres, Berlioz, SchoenbergSaturday, 03 August 2013
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Prom 26: Serkin, BBC Symphony Orchestra, KnussenFriday, 02 August 2013
You wait years for a live performance to test whether Tippett’s Second Symphony is a masterpiece, and then two come along within six months. Both are due to the missionary zeal of the BBC Symphony Orchestra management, determined to give an overshadowed English composer a voice in Britten centenary year. But while Martyn Brabbins convinced me totally of the Second’s dynamic journey back in April at the Barbican, Oliver Knussen caught its rarefied sounds but not always its progressive sense... Read more... |
Prom 24: British Light MusicThursday, 01 August 2013
Reviewing last night’s Prom of British Light Music feels a bit like getting all AA Gill on your granny’s Victoria sponge. The collage of musical morsels from Bantock, Arnold, Coates and Elgar is music made with love, for pleasure, by composers who rated enjoyment over admiration. It’s music that smothers critical appraisal gently but firmly in its tweed-clad bosom, killing you with musical kindness. Read more... |
Prom 21: Hope, BBC National Orchestra of Wales, SøndergårdTuesday, 30 July 2013
The “Turning Point” in Colin Matthews’ so-named orchestral piece is a change of attitude, a sudden seriousness of purpose, a great effort of will to stop moving and take stock of where it - whatever it is - is going. That Matthews did actually stop mid-composition because, precisely as the piece tells us, he wasn’t sure he was enjoying the ride anymore is one of those extra-musical bits of information that perhaps holds the key to understanding the motivation behind it. Read more... |
Prom 20: Götterdämmerung, Staatskapelle Berlin, BarenboimMonday, 29 July 2013
And so Wotan’s ravens flew home and at the twilight’s last gleaming the immortals were consumed by fire and water. All was finally and irrevocably redeemed by the power of love, and the most beautiful of all the leitmotifs in Wagner’s Ring rolled out across the Albert Hall like a benediction. It was a defining moment in Proms history, no doubt, and was greeted with a few moments of perfect - and I mean perfect - silence. Read more... |
Prom 19: Tristan und Isolde, BBC Symphony Orchestra, BychkovSunday, 28 July 2013
Such has been the justifiable flow of superlatives this week about the Berlin Staatskapelle's Ring conducted by Barenboim, the centrepiece of the BBC Proms' Wagner bicentenary celebration, it would have been easy to forget that the 2013 Proms season contains not just those four, but seven complete Wagner operas. Read more... |
Prom 18: Siegfried, Staatskapelle Berlin, BarenboimSaturday, 27 July 2013
The transformative power of the Royal Albert Hall at Proms-time never ceases to amaze me. Read more... |
Timo Andres: Home Stretch Timo Andres (piano), Metropolis Ensemble/Andrew Cyr (Nonesuch)Pages
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