Classical Reviews
Tetzlaff, LSO, Harding, BarbicanMonday, 25 May 2015
With Kavakos, Faust, Shaham and Skride already been and gone, and Jansen, Ehnes, Bell and Ibragimova still to come, the LSO’s International Violin Festival has nothing left to prove. We’re not short of star power in London’s concert scene, but even by our spoilt metropolitan standards this is a pretty unarguable line-up. With excellence a given, then, it takes quite a lot to startle a crowd into delight – especially on a Sunday night. Read more...
|
Kozhukhin, BBCSO, Oramo, BarbicanSunday, 24 May 2015
No two symphonic swansongs could be more different than Sibelius’s heart-of-darkness Tapiola and Nielsen’s enigmatically joky Sixth Symphony. In its evasive yet organic jumpiness, the Danish composer’s anything but “Simple Symphony” – the Sixth’s subtitle – seemed last night to have most in common with another work from the mid-1920s, Rachmaninov’s Fourth Piano Concerto. Read more... |
Classical CDs Weekly: Bach, Shostakovich, Henrik SchwarzSaturday, 23 May 2015
|
Leçons de Ténèbres, Devine, St John's Smith SquareTuesday, 19 May 2015
This penultimate night of the London (formally Lufthansa) Festival of Baroque Music brought beautiful, intelligent, superbly musical singing from two sopranos Julia Doyle and Grace Davidson, who sang early 18th century works by François Couperin: two exultatory motets, a Magnificat and the Leçons de Ténèbres. Read more... |
The Creation, SCO, Christophers, Usher Hall, EdinburghSunday, 17 May 2015
For the Scottish Chamber Orchestra the transition from its home in the Queen’s Hall to the much larger spaces of Usher Hall is not always a happy one. Earlier this season an experimental performance of Mahler’s fourth symphony lacked heft in the larger Edinburgh venue, for this listener at least, but would have swamped the smaller. Many disagreed. Read more... |
Connolly, West, BBCSO, Davis, BarbicanSaturday, 16 May 2015
From the strings’ first entry, sweet and mysterious, conveying at once the erotic charge between Berlioz's Dido and Aeneas, its long-suppressed unfolding and also its transience, the BBC Symphony Orchestra played like a dream for their conductor laureate Sir Andrew Davis. Read more... |
Classical CDs Weekly: Messiaen, The Knights, Jim RattiganSaturday, 16 May 2015
|
Tawadros, AAM, Tognetti, Milton CourtFriday, 15 May 2015
Fusion between Christian Venice and the Ottoman east started up at least as early as the 15th century, accompanied by a superb portrait of Sultan Mehmet II attributed to Gentile Bellini (pictured below). So what Egyptian-born oud (read oriental lute) player Joseph Tawadros and that febrile Australian Richard Tognetti with members of the Academy of Ancient Music in cheerful tow were trying to do last night had honourable precedents. Read more... |
Betrayal, I Fagiolini, The Village UndergroundFriday, 15 May 2015
It’s not often in classical music that you find yourself queuing under a railway bridge in Shoreditch at 9pm (and still less often that the artistic experience inside merits the endeavour). But get past the door staff and the effortful East London cool of it all, and I Fagiolini’s Betrayal (subtitled “A Polyphonic Crime Drama”) offers some pretty persuasive reasons to slough off the comforts of the concert hall and get gritty. Read more... |
Yevgeny Sudbin, QEHThursday, 14 May 2015
Mahler once wrote that his symphonies were edifices built from the same stones, gathered in childhood. In each of the four recitals I’ve heard from Yevgeny Sudbin, he’s moved several of his repertoire cornerstones around to different effect in the piano-programme equivalents of a very large symphony orchestra playing a Mahler symphony: massive sonorities, total structural grasp, huge intelligence. Read more... |
Messiaen: Des canyons aux étoiles London Philharmonic Orchestra/Christoph Eschenbach (LPO)Pages
inside classical music
latest in today
'We are bowled over!' Thank you for your messages...
