Classical Features
Galina Vishnevskaya on Britten and his War RequiemFriday, 14 December 2012
One of Russia’s greatest and most inspirational sopranos, Galina Vishnevskaya died on 11 December at the age of 86. To the world at large, she will probably be most famous for taking an heroic stand alongside her husband, cellist and conductor Mstislav Rostropovich, against the Soviet authorities over the treatment of Alexander Solzhenitsyn; in 1974, the couple were stripped of their citizenship as a result. Read more... |
Remembering Ravi Shankar, 1920-2012Thursday, 13 December 2012
While living in Bombay in the late 1940s, betrayed by a business partner and his first marriage in the midst of painful implosion, Ravi Shankar decided to commit suicide. At the eleventh hour, a holy man, who happened to be passing by, knocked on his door asking for water. The man told Shankar that he was aware of his fateful decision. This wasn’t, he went on, the right time to be renouncing life. Read more... |
theartsdesk Q&A: Conductor Markus Stenz on MahlerSunday, 09 December 2012
Never mind the huge interpretative challenges; Mahler’s Eighth, dubbed the "Symphony of a Thousand" owing to the gargantuan forces the composer marshalled as conductor of its 1910 Munich premiere, needs an even greater mastery of logistics. Read more... |
Hearing Voices: Jocelyn PookSunday, 02 December 2012
“I am always fascinated by how much is in a voice, by their textures and qualities,” says composer Jocelyn Pook. “They’re like aural photographs of a person and you recognise them instantly.” We are in her studio in north London and Pook flicks through audio-files in her computer to prove the point. Some of the voices she was chosen for their inherent musicality – voices on answerphones rise upwards as questions are asked and intervals are sounded for multi-syllabic words. Read more... |
Elliott Carter RememberedMonday, 12 November 2012
It’s hard to imagine that a composer’s death at the age of 103 could be a loss to music, in the sense of possible future work, as well as a personal loss, which of course death will always be. But Elliott Carter was a unique exception. Read more... |
Opinion: why arts education mattersMonday, 05 November 2012
There’s been a star-studded attack from leading figures in the arts on the decision by Michael Gove, the Secretary of State for Education, to exclude the performing arts from the English Baccalaureate, the planned replacement for the GCSE examination. To the Coalition’s credit, they've also published a National Plan for Music Education, “part of the Government’s aim to ensure that all pupils have rich cultural opportunities alongside their academic and vocational studies”. Read more... |
theartsdesk in Calgary: Innovation and Iconoclasm at the 2012 International Honens Piano CompetitionSunday, 04 November 2012
Can you name the last three winners of the Tchaikovsky Piano Competition? The Van Cliburn? The Queen Elizabeth? Chopin? Probably not. There was a time when winning a piano competition was a ticket to success, a star-making, career-changing event. Now it’s lucky to land you an agent, let alone a record contract. Read more... |
The Composer and the Water-Nymph: Hans Werner Henze's OndineWednesday, 31 October 2012
Hans Werner Henze, the composer who died on Saturday aged 86, wrote the music for one of Margot Fonteyn's signature ballets, Ondine, a ballet about an inhuman spirit who longs to be joined to a man - but when she does, he must die. It might almost be a metaphor for the death of the thought the moment it is realised. Read more... |
Exclusive: Friar Alessandro, The Voice of AssisiSunday, 07 October 2012
By day, Friar Alessandro Brustenghi lives and works in the Basilica of Santa Maria degli Angeli in Assisi. In his spare time, he works as a carpenter. But he also has a new career as, in the words of his producer Mike Hedges, “the next Italian tenor”. The fruits of his entry into Abbey Road’s recording studio is Voice from Assisi. You can listen here on theartsdesk to the entire album, exclusively until midnight on Thursday. Read more... |
theartsdesk in Bonn: Tradition and Innovation at the 2012 BeethovenfestSunday, 07 October 2012
It’s Beethoven all right, but not as you know him. The scowl is there, and the broad heroic shoulders too, but the iconic tousled hair is glowing a rather unexpected shade of orange. A purple cloak sweeps down to the floor, setting off a jaunty pair of Elton John-style glasses and a leopard-print waistcoat. Read more... |
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