Classical Features
theartsdesk at the Music@Malling FestivalThursday, 01 October 2015
One of the summer’s greatest pleasures has been to confirm an often untested truism: that you may hear some of the finest and rarest music-making in out-of-the-way places. Read more... |
theartsdesk at the Lammermuir FestivalMonday, 21 September 2015
It’s hard to believe that East Lothian’s Lammermuir Festival has only been around for six years. In that short time, it’s become a cherished fixture in Scotland’s musical calendar. For regular concert-goers, it’s a calmer antidote to the August festival mayhem of Edinburgh, just half an hour away, and just a couple of weeks after the capital’s wall-to-wall chaos ends. Read more... |
Sir David Willcocks (1919-2015)Saturday, 19 September 2015
Even if you never saw him conduct, you may well have sung one of Sir David Willcocks's carol arrangements. I remember the unnatural excitement in our church choir when the orange-jacketed Carols for Choirs 2 arrived on the scene, enhancing our repertoire with some especially juicy settings. Sir David Willcocks, who died on Thursday at the grand old age of 95, was steeped in the British choral tradition; for many, he was its heart and soul. Read more... |
'We have a duty to all children to share our rich artistic history'Wednesday, 16 September 2015
Two hundred and 74 years ago today, on 14 September 1741, Georg Friedrich Handel completed the first edition of his legendary oratorio, Messiah. It is a work associated with children’s charity, and thanks to a royal charter granted to philanthropist Thomas Coram’s Foundling Hospital in Bloomsbury, Handel raised awareness and money for the orphans with performances every year for decades. Read more... |
10 Questions for Conductor Laurence EquilbeyWednesday, 16 September 2015
It’s a sunny afternoon at altitude – 1,082 metres, to be precise – in the precincts of France’s highest historic building, the austerely impressive early Gothic Abbey-Church of St-Robert, La Chaise-Dieu. Read more... |
theartsdesk in Lahti: Sibelius 150, Sibelius HallSunday, 13 September 2015
When Lahti’s Sibelius Hall finally shone and coruscated into life in 2000, the 100,000 citizens of this modest Finnish town, not to mention acousticians from all over the world, could hardly believe their eyes and ears. Here, at last, was not only a top concert hall fit for what had already become a world-class orchestra under notable Sibelian Osmo Vänskä, but also a twofold architectural wonder. Read more... |
theartsdesk in Bucharest: Loving EnescuSunday, 06 September 2015
Where in the world will you find the most glittering line-up of international orchestras? The Proms? Salzburg? Lucerne? Edinburgh? Bucharest, actually. The Enescu Festival, which began on 30 August, this year boasts appearances by the Concertgebouw, Vienna Philharmonic, Dresden Staatskapelle, Israel Philharmonic, San Francisco Symphony, St Petersburg Philharmonic and London Symphony Orchestra. Read more... |
theartsdesk in Pärnu: Top players, great EstoniansTuesday, 28 July 2015
In 1989 Neeme Järvi, already rated one of the world’s top conductors and soon to be voted “Estonian of the Century” by his compatriots, returned with his Gothenburg Symphony Orchestra to the homeland he had left for America nearly a decade earlier. I went with them then, and to experience a free Estonia 26 years later was a bracing surprise. Read more... |
First Person: Poems to MessiaenTuesday, 21 July 2015
I am currently in the middle of a project called Messiaen 2015: Between Heaven and the Clouds, a year-long series of commissions and events around the UK, exploring Messiaen’s Vingt Regards sur l‘Enfant-Jésus, curated by pianist Cordelia Williams. Read more... |
10 Questions for Pianist Leif Ove AndsnesMonday, 20 July 2015
Though perhaps not quite the "long strange trip" once hymned by the Grateful Dead, Leif Ove Andsnes's Beethoven Journey has been a marathon undertaking. It has spanned four years, during which the Norwegian pianist and the Mahler Chamber Orchestra have toured the world, performing all five of Beethoven's piano concertos with Andsnes conducting from the keyboard. Read more... |
Pages
inside classical music
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Batiashvili, LSO, Pappano, Barbican review - French and Poli...
Three live, very alive Symphonie fantastiques in a year may seem a lot. But such is Berlioz’s precise, unique and somehow modern...
Music Reissues Weekly: Johnnie Taylor - Who's Making Lo...
Johnnie Taylor’s big break came with the ever-fabulous September 1968 single “Who's Making Love.” His ninth 45 for the Stax label, it went Top Ten...
Faust, Royal Opera review - pure theatre in this solid reviv...
“Satan come to me!” The Devil doesn’t so much appear in David McVicar’s Faust as reveal himself to have always been there. We discover...
Mrs. Warren's Profession, Garrick Theatre review - moth...
How do you make Bernard Shaw sear the stage anew? You can trim the text, as the director Dominic Cooke has, bringing this prolix writer's 1893...
Mongrel review - deeply empathetic filmmaking from Taiwan
There is a dark, spectral quality to this compassionate film about Southeast Asian migrant workers in rural Taiwan. At the centre...
Owen, Manchester Camerata, Takács-Nagy, Stoller Hall, Manche...
Manchester Camerata spent eight years performing and recording a complete edition of Mozart’s piano concertos with Jean-Efflam Bavouzet as soloist...
The Phoenician Scheme review - further adventures in the idi...
It’s not what he says, it’s the way he says it. Few filmmakers have bent the term “auteur” to their own ends more boldly than...
Album: Ammar 808 - Club Tounsi
Ammar 808 is the high octane vehicle for the Tunisian-born producer Sofyann Ben Youssef, now based in Denmark. His first album Maghreb United...