tue 20/05/2025

book reviews and features

Lisa Halliday: Asymmetry review - unconventional and brilliant

Katherine Waters

Lisa Halliday’s striking debut novel consists of three parts. The first follows the blooming relationship between Alice and Ezra (...

Read more...

Rhidian Brook on The Killing of Butterfly Joe

Rhidian Brook

When I was 23 I had a job selling butterflies in glass cases in America. I worked for a guy who, as well as...

Read more...

Ursula K Le Guin - Dreams Must Explain Themselves review - enraging and enlightening

Marina Vaizey

Essay collections are happily mainstream now, from Zadie Smith to Oliver Sacks, with more and more bits and bobs coming from unexpected quarters. These patchwork quilts from remarkable writers can...

Read more...

John Tusa: 'the arts must make a noise' - interview

Liz Thomson

In our era of 24/7 news, downloadable from anywhere in the world at the touch of an app, it's hard to...

Read more...

Mick Herron: London Rules review - hypnotically fascinating, absolutely contemporary

Marina Vaizey

London Rules – explicitly cover your arse – is the fifth in the most remarkable and mesmerising series of ...

Read more...

Roma Agrawal: Built review - solid love

Katherine Waters

"I've been known to stroke concrete," writes self-professed geek Roma Agrawal – and from the very beginning of her memoir-cum-introduction...

Read more...

Joe Dunthorne: The Adulterants review - a richly illuminating comedy of disappointment

Jasper Rees

Joe Dunthorne's debut novel Submarine (2008) burrowed plausibly inside the head of a teenager...

Read more...

Afua Hirsch: Brit(ish) review - essential reading on identity

Marina Vaizey

Usually extracts in newspapers should stimulate the appetite of the reader to get with it; this is a rare moment when the glimpses afforded to Afua Hirsch’s Brit(ish): On Race, Identity and...

Read more...

Julian Barnes: The Only Story review - passion, pain and sorrow in Surrey

Boyd Tonkin

From his debut Metroland, right up to the Man Booker-winning The Sense of an Ending, the prospect of a road not taken has haunted the mild and mediocre narrators of Julian Barnes...

Read more...

Dave Eggers: The Monk of Mokha review - how to become a grand master of coffee

Markie Robson-Scott

A macchiato may never taste the same again. If you’ve ever wondered about the politics and history behind your cup of designer coffee, The Monk of Mokha will answer all your questions,...

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

 

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

The Fifth Step, Soho Place review - wickedly funny two-hande...

The plays of David Ireland have a tendency to build to an explosion, after long stretches of caustic dialogue and very funny banter....

Josefowicz, LSO, Mälkki, Barbican review - two old favourite...

Every now and then a concert programme comes along that fits like a bespoke suit, and this one could have been specially designed for me. Two...

Mr Swallow: Show Pony, Richmond Theatre review - magic trick...

Nick Mohammed invented his Mr Swallow character – camp, lisping, with an inflated ego and the mistaken belief that he has creative...

The Great Escape Festival 2025, Brighton review - a feast of...

Photographer Finetime and I have our first pints outside Dalton’s, a bar on...

Parsifal, Glyndebourne review - the music flies up, the dram...

There’s a grail, but it doesn't glow in a mundane if perverted Christian ritual. Three of the main characters have young and old actor versions...

The Bombing of Pan Am 103, BBC One review - new dramatisatio...

The appalling destruction of Pan Am’s flight 103 over Lockerbie in 1988 was put under the spotlight in January this year in Sky Atlantic’s ...

Ballet to Broadway: Wheeldon Works, Royal Ballet review - th...

Ballet is hardly a stranger to Broadway. Until the late 1950s every other musical had its fantasy ballet sequence – think Cyd Charisse in ...

Album: Robert Forster - Strawberries

“Tell me what you see” invites Robert Forster during Strawberries' “Tell it Back to me.” The album’s eight songs do not, however,...

Music Reissues Weekly: Chapterhouse - White House Demos

Quoted in an early music press article on his band Chapterhouse, singer-guitarist Stephen Patman said their ambition was “to have our records on...

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters