book reviews and features
Annie Proulx: Fen, Bog & Swamp review - defending the wetlands' bounty
Wednesday, 26 October 2022
Annie Proulx’s Fen, Bog & Swamp sees the Pulitzer-winning novelist join a number of authors decrying the ecological devastation we’re wreaking on the planet. James Rebanks’ ... Read more... |
Cormac McCarthy: The Passenger review - abstruse, descriptive, digressive
Tuesday, 25 October 2022
Cormac McCarthy’s first books in over a decade are coming out this year, a month apart from one another. The Passenger tells the story of deep-sea diver Bobby Western, desperately in love... Read more... |
Mariana Enriquez: Our Share of Night review - delving into a violent, erotic world
Monday, 24 October 2022
Tense with horror and the sticky darkness of the Argentinian night, Mariana Enriquez’s writing is rich and occult. Her epic novel, Our Share of Night, vividly translated from the Spanish... Read more... |
William Boyd: The Romantic review - historical soap opera, anyone?
Saturday, 22 October 2022
Writing in the Edinburgh Review in 1814, Francis Jeffrey began his review of Wordsworth’s The Excursion with a provocative denunciation of romanticism: “This will never do,” he... Read more... |
Andrew Murray: Is Socialism Possible in Britain? review - what went wrong and why Corbynism failed
Tuesday, 04 October 2022
The title of Andrew Murray’s new book poses a question that also vexed Friedrich Engels over 130 years ago. The German co-... Read more... |
Savala Nolan: Don't Let It Get You Down review - finding voice in the liminal
Thursday, 29 September 2022
Liminal: a word that conjures thresholds and between states. Caught between three languages – the adjective is a borrowing from the Latin that enters English by way of German – ... Read more... |
Yiyun Li: The Book of Goose - fame, reality and two teenage French girls
Wednesday, 28 September 2022
The Book of Goose, Yiyun Li’s fifth novel, is the gripping story of two teenage French girls and their... Read more... |
Bronwyn Adcock: Currowan review - a fire foretold, a warning delivered
Tuesday, 27 September 2022
In 2019 Australia endured the hottest, driest year since records began and their bushfire season escalated with unprecedented intensity. The fires and pyro-connective storms that swept the country... Read more... |
'The first thing I do when I wake up is write.' Hilary Mantel, 1952-2022
Friday, 23 September 2022
Hilary Mantel, who has died at the age of 70, was a maker of literary history. Wolf Hall, an action-packed 650-page brick of a book about the rise and rise of Thomas Cromwell, won... Read more... |
Ken Auletta: Hollywood Ending - Harvey Weinstein and the Culture of Silence review - if the tide had turned in 2002...
Wednesday, 07 September 2022
It was not until October 2017 that The New York Times ran a... Read more... |
Pages
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Pygmalion, Early Opera Company, Curnyn, Middle Temple Hall r...
With French baroque opera all but banished from the UK’s major...
Album: Stereolab - Instant Holograms on Metal Film
Stereolab always walked a knife edge between deadly serious and dead silly. Their sound was constructed around the sort of reference points –...
The Fifth Step, Soho Place review - wickedly funny two-hande...
The plays of David Ireland have a tendency to build to an explosion, after long stretches of caustic dialogue and very funny banter....
Josefowicz, LSO, Mälkki, Barbican review - two old favourite...
Every now and then a concert programme comes along that fits like a bespoke suit, and this one could have been specially designed for me. Two...
Mr Swallow: Show Pony, Richmond Theatre review - magic trick...
Nick Mohammed invented his Mr Swallow character – camp, lisping, with an inflated ego and the mistaken belief that he has creative...
The Great Escape Festival 2025, Brighton review - a feast of...
Photographer Finetime and I have our first pints outside Dalton’s, a bar on...
Parsifal, Glyndebourne review - the music flies up, the dram...
There’s a grail, but it doesn't glow in a mundane if perverted Christian ritual. Three of the main characters have young and old actor versions...
The Bombing of Pan Am 103, BBC One review - new dramatisatio...
The appalling destruction of Pan Am’s flight 103 over Lockerbie in 1988 was put under the spotlight in January this year in Sky Atlantic’s ...
Ballet to Broadway: Wheeldon Works, Royal Ballet review - th...
Ballet is hardly a stranger to Broadway. Until the late 1950s every other musical had its fantasy ballet sequence – think Cyd Charisse in ...